On Wednesday, May 26, 2010, Julie S wrote:
> Now lets say I wanted to uses this a as the basis of a 12 measure blues
> progression.
> That example was the kind of thing I initially thought you were talking
> about. That way if I decide to change the source sym-link segment to C Eb
> G C. I get
Hello Michael,
> > However, allowing clean editing of these
> transpositions is something to be
> > considered. Should the user be able to update
> these through the Special
> > Parameter areas that allow them to edit other segment
> properties, or
> > should they double-click on the segments to
Hello Michael,
> > -2) Because a complex segment requiring several time
> signatures would be
> > very different from the current short triggered
> segment. To call such a
> > long segment through the elsewhere discussed "segment
> link" should
> > probably be better than to call it through some
>
On Wednesday, May 26, 2010, Julie S wrote:
> However, allowing clean editing of these transpositions is something to be
> considered. Should the user be able to update these through the Special
> Parameter areas that allow them to edit other segment properties, or
> should they double-click on th
On Wednesday, May 26, 2010, Yves Guillemot wrote:
> -2) Because a complex segment requiring several time signatures would be
> very different from the current short triggered segment. To call such a
> long segment through the elsewhere discussed "segment link" should
> probably be better than to c
Hello Yves,
I can not argue your points in your last post. They are fine arguments.
I withdraw the triggered segment track idea.
...
I am interested in allowing more robust editing of triggered segments. To that
end we would need a way to play them back in tempo with a desired instrument,
a
Le mercredi 26 mai 2010 15:51:14, Julie S a écrit :
>
> I see your points on here, but if we instead used a triggered segment
> track, which would be a specialized MIDI type track. Then users could use
> RG's current functionality to select the instrument to associate with the
> segment.
>
>
Hello Yves,
Concerning:
> One problem is that triggered segments will be edited with
> time signature
> coming from the composition.
> That's already the case with Ian's patch: Modifying the
> composition time
> signature changes the way the triggered segment is
> displayed in the notation
> ed
Hello Michael,
Concerning:
> I can agree that symlinks should not change with respect to
> duration or
> velocity, for the sake of simplicity, but pitch is a huge
> can of worms.
And the rest of your post.
You make very compelling points to keep the pitch adjustable.
One could argue the benefi
