On Friday 11 July 2003 05:44, Silvan wrote:
> On Sunday 06 July 2003 02:51 am, Silvan wrote:
>
> Wow, this SF mail alias sucks. It's almost July 11, and I just got this.
>
> Or maybe this SF mailing list sucks. Did it just now show up for the rest
> of you?
I did. But the sf mail alias does suck
On Sunday 06 July 2003 02:51 am, Silvan wrote:
Wow, this SF mail alias sucks. It's almost July 11, and I just got this.
Or maybe this SF mailing list sucks. Did it just now show up for the rest of
you?
--
Michael McIntyre Silvan <[EMAIL PROTECTED]>
Linux fanatic, and certified Geek;
On Saturday 05 July 2003 03:10 pm, Chris Cannam wrote:
> logical thing to do might be to create two segments on the same track
> (on top of one another) when you record thus, but I think that'd
> probably just cause confusion in practice.
I don't think so. Especially not if we come up with some
On Saturday 05 July 2003 11:47 am, Richard Bown wrote:
> > Shit, damn, fuck, snot, 29 assholes tied in a knot!
>
> Right again but it's a "known problem" - at least by me. So I'm not so
> worried about it short term.
No, I meant that more like "I thought I had this piece of shit keyboard
config
On Saturday 05 July 2003 15:11, Silvan wrote:
> In Cakewalk, I just had to filter out everything except the channel I
> wanted, but Rosegarden uses a one track, one channel model, so it
> just takes the extra channel 3 events and lumps them in together. I
> don't think there's any distinguishing c
On Saturday 05 July 2003 3:11 pm, Silvan wrote:
> Incidentally, with one segment set to loop via this marker/loop
> mechanism vs. the same segment set to repeat, there's a very obvious
> difference. In the latter case, I can't hear the break at all, but
> in the former, it feels like there's a mi
On Saturday 05 July 2003 03:25 am, Richard Bown wrote:
> I'm currently working on markers to make this all a bit more
> obvious.
Incidentally, with one segment set to loop via this marker/loop mechanism vs.
the same segment set to repeat, there's a very obvious difference. In the
latter case,
Looks like this should work, but it doesn't.
Now that I think about it, I've never used it before. What's it actually
supposed to do, anyway?
I've got a drum pattern that I'm jamming along with, and I keep having to
rewind the transport, and it's screwing up my groove.
So I was thinking about