I routinely use ProTools to mix B+ . All the decode is done in a
separate computer that takes l/r and B format and will decode to 10, 12
or 16 positions. If you do not use Z is will do horizontal only
ambisonics.
ThomasChen
-Original Message-
From: Dave Hunt
To: sursound@music.vt.
For those of you who have been wondering what is up with the next Ambisonic
Symposium, I have word from the conference organizer Jens Hannemann. I just
spoke with him and he has informed me that the deadline for submissions has
been
extended to March 9th. There is still time to get a submissi
Le 25 février 2011 12:23:08, Edgar Choueiri a écrit :
> p.s. Regarding the original question in this thread by Mr. Junfeng, I
> should point out that BACCH filters (like other XTC IR filters) are
> applied to the audio through VST or AU plugins that can do 2x2 (also
> called "True Stereo") IR conv
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No personal offense taken. I am used to this misattribution!
(one thing that occurs to me is that people maybe do
not read The Absolute Sound so much as I might have thought.
This is one reason why I started www.regonaudio.com
though this particular item is not up there)/
I guess I am more amaze
I am delighted to see a lively discussion of crosstalk cancellation
(XTC). My name is Edgar Choueiri and I am an academic researcher
working on XTC for the past few years.
I would like to add a few comments that may be relevant to the discussion.
XTC has come a long way since the pioneering w
Robert Greene wrote:
I suppose Keele's did not know about this
Neither did I when I wrote the post. Thank you for correcting this, Robert.
Eero
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PLEASE NOTE that I predate Keele on this barrier idea by quite a few
years.
I was being modest and not mentioning myself because the idea of a
physical barrier is so trivial
that it ought to be beneath anyone's dignity to accept "credit" for it.
But if credit were to be assigned(and in the
I forgot to mention that is also practical if you keep your loudspeakers
at close spacing (like 10deg) rather than a stereo setup, which gives
you a better performance for a wider frequency range, a technique that
Kirkeby and Nelson patented as the "stereo-dipole".
Regards,
Archontis
On 2/25/
Hi Junfeng,
For theory and to understand the problem you should have a look at the
references mentioned before, I attach the titles of some key studies:
B. S. Atal and M. R. Schroeder (1962) "Apparent sound source
translator", U.S. Patent, 3236949.
P. Damaske (1971) "Head-Related Two-Channe
Hi
From: Chris Cody
Subject: [Sursound] B format recording
Does anybody know weather it is possible to record and mix B format
in Pro
Tools 9? I have been looking around for a plugin, with not much
luck. It
appears SoundField have one, but I can;t find out if it is
compatible with
PT
Robert Greene wrote:
I think this idea was invented by Christian Huygens and
Young and Fresnel. Once one knows that sound is a wave phenomenon,
there is nothing left to invent--except the details of how the sound
goes around the head. Practical implementation especially in the analogue
world is
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