Looks like The Duke's Hall at the Royal Academy Of Music.
John
On 19 May 2013, at 21:19, Paul Hodges wrote:
> Only if there's another Festival Hall which I don't know about! Sure, some
> demos took place there (four out of over twenty), but that photo sure ain't
> of one of them (even though
--On 19 May 2013 12:18 -0700 Aaron Heller wrote:
There's a photo of the set up at Royal Festival Hall, about 1/3 down on
this page
http://www.gearplus.com.au/products/wharfedale/history/0-history-wharfeda
le.htm
Only if there's another Festival Hall which I don't know about! Sure, some
dem
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The more things change
This was the idea of the original Bell Telephone(as they were then)
Labs "stereo" experiment!
And of course the basic idea goes back to the 17th century
(Christian Huygens).
Robert
On Sun, 19 May 2013, Justin Bennett wrote:
On May 18, 2013, at 6:00 PM, sursoun
I should mention this piece:
Forest (for a thousand years)
By Janet Cardiff & George Bures Miller - their other stuff is worth a look as
well.
This used ambisonics and some of my B-Format recordings of the Battle Of
Britain Memorial Flight Lancaster Bomber.
There's a short clip here ://www.yo
On May 18, 2013, at 6:00 PM, sursound-requ...@music.vt.edu wrote:
> From: Timothy Schmele
> I think some artists have had success with this technique.
>
> If my memory serves me right, check if you can find anything from Erwin
> Roebroeks, doing an installation where he built two identical gr
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On 05/08/2013 07:38 AM, revery wrote:
I have a question on the decoding MS recordings, for instance just 2 channel,
by using an ambisonic decoder to create the stereo.
Am I off the track here? Would an elaborate MS to ambisonic converter be
required, or maybe just a level change between M and S
On 05/02/2013 01:26 AM, Richard Dobson wrote:
On 01/05/2013 23:52, Sampo Syreeni wrote:
...
Still, do give me your definition of time-invariant. Perhaps there are
stronger definitions I haven't heard of yet, and which can be useful in
e.g. more fine grained analysis.
I have always understood
udio'
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