Re: [Sursound] Sursound Digest, Vol 96, Issue 3

2016-07-05 Thread Peter Lennox
e sender and let them know. Key University contacts: http://www.derby.ac.uk/its/contacts/ -- next part -- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20160705/bc9d5f22/attachment.html> __

Re: [Sursound] Conversion from FOA to TOA ? How to and why or not?

2016-07-05 Thread Politis Archontis
nd@music.vt.edu<mailto:Sursound@music.vt.edu> https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on. -- next part -- An HTML attachment was scrubbed... URL: <

Re: [Sursound] Conversion from FOA to TOA ? How to and why or not?

2016-07-05 Thread Stefan Schreiber
Politis Archontis wrote: We start by setting up a large dense 3D loudspeaker setup in a fully anechoic chamber (usually between 25~35 speakers at a distance of ~2.5m), so that there is no additional room effect at reproduction. Then we decide on the composition of the sound scene (e.g. band,

Re: [Sursound] Conversion from FOA to TOA ? How to and why or not?

2016-07-05 Thread Politis Archontis
Hi Stefan, No it is not only you :-), I thought I was clear that these references are totally synthetic. We just try to make sure that they are reproducible, they do sound natural, they are physically-based and they do not rely on any perceptual spatialization methods themselves (ambisonic, pan

[Sursound] 3D Audio Developer Challenge

2016-07-05 Thread Xavier Bonjour
Hello, 3D Sound Labs organizes the first 3D Audio mobile application development challenge. If you have ideas of mobile apps involving Binaural or Higher Order Ambisonics rendering with headtracking ….. More info on http://www.3dsoundlabs.com/category/challenge/ Kind regards Xavier -