rus
> >>>
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Drew Kirkland wrote:
> Hi guys
>
> We have recently decided to record nature in ambisonic format with a
> additional specific mono and stereo recordings added in at edit stage.
>
> I would be interested in current ambisonic mic choice, we don't have loads
> of cash but want to get as transparent a
nd mailing list
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>>> edit account or options, view archives and so on.
>>>
>>
>>
>>
>> --
>>
e,
> > edit account or options, view archives and so on.
> >
>
>
>
> --
>
> 07889727365
>
> 02036861372
>
> 3 Swimmers Lane
> Haggerston
> London
> E2 8FR
>
>
> www.facebook.com/reynoldsmicrophones
>
> www.sohovr.co.uk
> -- n
options, view archives and so on.
>
--
07889727365
02036861372
3 Swimmers Lane
Haggerston
London
E2 8FR
www.facebook.com/reynoldsmicrophones
www.sohovr.co.uk
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are in exemplary harmony, which is just as consistent
>>> completed when you attend the exhibition. the room is generally enhanced
>>> by a rather fascinating sound design” (22 juni 2018)
>>>
>>>
>>>
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On 11/08/2018 10:59, Axel Drioli wrote:
... I use
a prototype made by Reynolds Microphones. ... This mic has much lower
self-noise than any other ambi mic you find around.
But is that done using large diaphragm capsules? With the inevitable
consequences in terms of coincidence?
Chris Woolf
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When I reviewed the Sennheiser Ambeo some while ago I was distinctly
underwhelmed by many aspects of it. A shame, but I got the feeling it
wasn't something that the company felt any deep interest in.
Røde did indeed buy the Soundfield company, but perhaps more importantly bought
Pieter Shilleb
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