Hi Sean,
have you added a virtual speaker at the nadir? I remember Franz Zotter (one of
the original developers of the AllRAD Decoder) pointing that out as the way to
get the soundfield to considerably move lower... and this solution os one of
the key elements of the AllRAD.
Cheers, Florian
I can only say what Facebook does. They offer a 8+2 "container" which is 2nd
order Ambisonics plus a stereo-signal (for static music, e.g.). Yes, 8 channels
is one down from the 9 needed, but of course it`s a proprietary solution of
Facebook.
During a hands-on training with their principal Ambis
Yes, in Gravity this is easily possible in the opening shot: it's a super long
wide shot where Clooney is off picture in the beginning. There is plenty of
tome to absorb the scene and the
position of everything. This is an obvious opportunity to pan dialogue as it is
really underlining the
dramat
Woe, woe, this is a veritable can of worms (dialogue in the center)...
The film guys have good reasons for that, and a cheap escape is certainly not
the reason.
When you strictly follow the placement of a person on the screen with the
audio, the picture editing is
very much enforced and underlin
Hello,
may I point you to the AES Monograph on Binaural Technology by Rozenn Nicol,
published on 2010. Rozenn has nicely summarised most of the issues which have
been discussed
here lately, and she provides an extensive list of references (more than 200!).
Well worth reading
(35$ for AES members
Hi Fons,
I wanted to ask for a long time if your ebulm Linux loudness meter has seen an
upgrade to include True Peak Metering?
And does it use the -10 relative gate for integrated loudness?
Thanks for answering, Florian
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