One of the few times that I found surround in a film interesting and valid was
in the original Tron, where it seemed to be perfectly acceptable and to enhance
the on-screen visuals. These days, it’s just mainly annoying and almost always
badly balanced, but we know that’s largely down to the lac
On Sat, 6 Feb 2016 12:04:01 +,
John Leonard wrote:
> As for the up-mix to Dolby Atmos that happened for the second film, I
> had no control over how the effects were sourced and the result in
> the cinema was pretty terrible, and totally unnecessary. Rain makes a
> noise when it hits a surfac
> Tel: 01332 593155
>
> From: Sursound [sursound-boun...@music.vt.edu] On Behalf Of John Leonard [
> j...@johnleonard.uk]
> Sent: 06 February 2016 12:04
> To: Surround Sound discussion group
> Subject: Re: [Sursound] Dialogue in center channe
...@music.vt.edu] On Behalf Of John Leonard
[j...@johnleonard.uk]
Sent: 06 February 2016 12:04
To: Surround Sound discussion group
Subject: Re: [Sursound] Dialogue in center channel,,, not always
Having had two theatre shows filmed for cinema release, I haven’t had the
greatest experience engaging
Having had two theatre shows filmed for cinema release, I haven’t had the
greatest experience engaging with the post production chaps: in both cases I’ve
had to explain that when the cast members exit upstage, door slams shouldn’t be
shoved in the rear speakers. Similarly, with a scene where all
hat the Puppy Bowl, which airs this weekend, is
> being presented in VR. I suppose the opportunity for dramatic audio there
> would be limited. :-) :-)
>
> - Original Message ----- Subject: Re: [Sursound] Dialogue in
> center channel,,, not always
> From: "Augus
It's worth noting :-) that the Puppy Bowl, which airs this weekend, is being
presented in VR. I suppose the opportunity for dramatic audio there would be
limited. :-) :-)
- Original Message - Subject: Re: [Sursound] Dialogue in center
channel,,, not always
From: "
sound-boun...@music.vt.edu] On Behalf Of Augustine Leudar
[augustineleu...@gmail.com]
Sent: 05 February 2016 22:48
To: s...@mchapman.com; Surround Sound discussion group
Subject: Re: [Sursound] Dialogue in center channel,,, not always
You set up the wager by knowing the right people, and by being in the
r
You set up the wager by knowing the right people, and by being in the
right place at the right time and undermining your competition ;)
Part of the problem is that if the the audio gets too 3d or immersive
then it destroy the illusion of the dated 2d screen. They certainly
dont want people looking
Peter Lennox wrote :
>
> maybe we should sponsor some kind of competition, to see how much
> spatiallity can be got into (and out of) Dolby atmos.
Sounds worth pursuing. . .
Michael
Don't want to dilute a good idea : but if the above 'flies' how about an
annual prize for the film with the
ary 2016 19:26
To: Surround Sound discussion group
Subject: Re: [Sursound] Dialogue in center channel,,, not always
It depends on the mix engineer more than the potential of the system. They
generally don't have a clue how to mix in surround even in high end post
houses.
On Friday, 5 Februa
famous for insisting on 100% location dialogue. This
> >> makes panning dialogue almost impossible,
> >> even if it would enhance the story.
> >>
> >> Best, Florian
> >>
> >>
> >>
> >> Vo
t;> directors (Tarantino, e.g.).
>> Robert Altman was famous for insisting on 100% location dialogue. This
>> makes panning dialogue almost impossible,
>> even if it would enhance the story.
>>
>> Best, Florian
>>
>>
>> _________________
__
> Von: Sursound [sursound-boun...@music.vt.edu]" im Auftrag von
> "Courville, Daniel [courville.dan...@uqam.ca]
> Gesendet: Donnerstag, 04. Februar 2016 18:15
> An: sursound@music.vt.edu
> Betreff: Re: [Sursound] Dialogue in center channel,,,
f it would enhance the story.
Best, Florian
Von: Sursound [sursound-boun...@music.vt.edu]" im Auftrag von
"Courville, Daniel [courville.dan...@uqam.ca]
Gesendet: Donnerstag, 04. Februar 2016 18:15
An: sursound@music.vt.edu
Betreff: Re: [Sursound
>>>And which director takes care about stereo compatible picture editing?
>
>Alfonso Cuaron is possibly one such director. Both Children of Men and
>Gravity often panned the dialogue to match the position of the actor on
>screen. It's very noticeable right at the start of Gravity; first you hear
>
>>And which director takes care about stereo compatible picture editing?
Alfonso Cuaron is possibly one such director. Both Children of Men and
Gravity often panned the dialogue to match the position of the actor on
screen. It's very noticeable right at the start of Gravity; first you hear
George
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