Mario:
I think you're missing the point. Imagine how a woman feels dancing. Shes
moving backwards, unable to see. Yet, she has to entrust her safety and
security to somebody who may not be paying attention to traffic. Women want to
feel protected from harm. On top of that, they want a chance to
--- On Fri, 10/10/08, Mario <[EMAIL PROTECTED]> wrote:
> I don't get it...why is the guy always the
> 'heavy'?
> Are men always the 'stupid' one? Always who
> 'needs improvement'?
> Always too thick to 'understand' that they should
> learn to dance in the woman's shoes, too?
> This just sound
I don't get it...why is the guy always the 'heavy'?
Are men always the 'stupid' one? Always who 'needs improvement'?
Always too thick to 'understand' that they should learn to dance in the
woman's shoes, too?
This just sounds like 'bull' to me..sorry.
Give me a place where 'men are men' an
--- On Thu, 10/9/08, Lois Donnay <[EMAIL PROTECTED]> wrote:
> How do you get leaders to work on following?
Maybe tricking them is the way to go. Perhaps having the men do a combination
that has them doing variations on the molinete as leaders. Or perhaps they are
the ones doing the backward o
Lois,
Perhaps the answer lies in illustrating the followers technique in terms of the
lead. For example, you know that you can show followers technique for
beginning a step to the front, side or back.
If I want to step, with my left foot, to my follower's left, I think in terms
of followers
I can find a list of the Dallas milongas. But, can anyone tell me which ones
are heavily attended by the better dancers?
Thanks
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