> From: Ecsedy Áron
> >
> Theeere we go then. I had that distinct impression that this might be
> the problem. I think I've referred to it as well. This IMO is a very
> Western phenomenon: you are frightened by their sudden moves, and they
> are not really aware of their delta-v or the 'flow'
Date: Fri, 16 Oct 2009 14:06:49 -0300
From: Shahrukh MerchantSubject:
Re: [Tango-L] Missing Magic
Art and commerce (of art) have always had an uneasy symbiosis, and
Tango is not immune to this. What the recent internationalization
phenomenon has done is upset that balance. International intere
> From: sergiovandekier...@hotmail.com
> If you go to a milonga where the floor is crowded, you either dance in a
> compact way, small steps, walks, little turns, a few ochos or sit down till
> the crowd clears the floor (very late at night) and then you have more room
> to dance.
Yes, Sergio
The title of this thread is correct and descriptive.
It is very simple, when the floor is crowded, it does not matter what tango
style you dance you have to keep your dancing very compact,adjust to the
circumstances, follow the line of dancing and, above all, you should not
disturb the other
Ecsedy ?ron said:
> Theeere we go then. I had that distinct impression that this might be
> the problem.
[Thesis on personal space deleted.]
Sorry, Aron, I think you need to consider the fact that you're the one
not getting it (and perhaps therefore unconsciously practising this
behaviour to
Ecsedy Aron,
Interesting that you "read between the lines" and conclude that my point had to
do with fear of invasion of personal space. I believe that's an incorrect
conclusion.
While your comments about the cultural differences in space management
whether on the highways or the dancefloor
