--- On Tue, 2/2/10, Tanguero tangu...@tanguero.com wrote:
Can anyone list all the composers/orchestras which
withhold the last note of a tango - - and why! Who
began this eccentric style?
Well, two that come to mind are Enrique Rodriguez and
Florindo Sassone. Sometimes Pugliese would soften
Hola listeros!
Seeing that I'll be getting hit with another big snowfall on top of 20 inches
here, I thought'd I'd spend my snowed in time on Tango-L. Here's my question.
I've heard from a couple of people that there's a big difference in the speed
at which people travel on the dance floors
What is your experience, Trini?
I think some people's frustration with navigational issues (i.e. road
rage) becomes painted as a universal truth, when it is mainly their
personal complaint or personal difficulty with dancing small and
musically. To be fair, until you gain experience with
--- On Tue, 2/9/10, Tom Stermitz sterm...@tango.org wrote:
In my experience, in BOTH the US and Buenos Aires when it
gets crowded, the line of dance doesn't progress very quickly.
When it gets super crowded things slow to a crawl, but again that
happens in both places.
Navigation skills
“This brings up a question of how do we change things in the U.S. to
encourage a moving floor, even if it's crowded? Obviously, this would need to
start a local level. Your thoughts?”
Trini,
I would say that in most cases it would be impossible to expect the floor
to move at a reasonable
I'm not going anywhere because my car is locked in from compounded snow and
ice and 16+ inches of snow is on the way. The federal government in
Washington has been closed for two days @ $100 Million cost to the
taxpayers, who I thank for two days off.
Based on the milongas I attended in BA,
A search on Youtube for crowded milonga and restricted then to BsAs
http://www.youtube.com/watch?v=RVV83rj9aOc
http://www.youtube.com/watch?v=QjP6wagMIG0
They don't seem that fast to me. And reflects the experience I had over
there.
Vince
In Melbourne
okay, I'll bite - which 5 figures.???
-Original Message-
From: Michael tangoman...@cavtel.net
To: Trini y Sean (PATangoS) patan...@yahoo.com; Tango-L Tango-L@mit.edu
Sent: Tue, Feb 9, 2010 3:15 pm
Subject: Re: [Tango-L] Rate of movement on crowded floors
I'm not going
Barbra:
It's really 6. I forgot one.
1) Walking
2) Ocho Cortado
3) Molinete to the man's left
4) Molinete to the man's right
5) Back ocho
6) Boleo
The Argentines feel they don't have anything to prove and don't need more
elaborate figures north americans feel they need to be successful on the
From: Michael tangoman...@cavtel.net
1) Walking
2) Ocho Cortado
3) Molinete to the man's left
4) Molinete to the man's right
5) Back ocho
6) Boleo
Surely a Cruzada and possibly a Pasada. Also a Rebound or Rock-Step.
Jack
___
Tango-L
Trini y Sean (PATangoS) wrote:
This brings up a question of how do we change things in the U.S. to encourage
a moving floor, even if it's crowded? Obviously, this would need to start a
local level. Your thoughts
It's part of the Floorcraft/Navigation problem. Leaders must be trained
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