Jack,
Thanks for your thoughtful and informative responses.
We, too, spend quite a bit of time in our classes working with various concepts
of 'waiting' - how it is achieved, what its benefits are, how the follower
actively usues it to enhance and add depth to the role of follow as well as how
Shahrukh,
Thanks for your thoughtfully articulated response to my post.
To clarify, the general statement/concept that I take issue with is that
the man (leader) has a much harder job in the dance than the woman
(follower).
My objection to that thought is not limited to tango. For example, in
cert
Dear Everyone:
I have danced (taught and performed) throughout the US for somewhere around
20 years and therefore I truly do have a basis for comparison regarding
venues. I have danced pretty much every night of my life (including after
performing).
Tuesday night (7/6) I stopped in to a new mil
It sounds like an enchanting environment. However, the questions I ask when I
travel and look for places to dance tango are:
(1) What kind of music is played?
If the music is not suitable for dancing tango (Piazzolla, most Pugliese after
1960, modern tango orchestras that lose the rhythm in pla
