- Original Message
> From: Mario
>
>It is not permitted to overtake another couple on the inside. >
>
Interesting! I was told the opposite - that when overtaking is absolutely
necessary [for reasons already given], you should overtake on the inside
but never on the outside. The re
--- On Wed, 10/6/10, Mario wrote:
However, it can
> happen that the slow couple’s leader is insensitive to
> the situation and does not make way for those behind. What is the leader of
> the couple behind to do, as he cannot touch him or tell him vocally to move
> out of the way? Javier
On Wed, Oct 6, 2010 at 10:08 AM, Nussbaum, Martin wrote:
>
> The problem isnt the
> style, there has been stage tango around for a long time, but in the
> past people knew the difference between stage and socail dancing and
> were more respectful of the rhonda, now so many want to do stage tango
>
i do know Gustavo... and have danced with him in social milongas on many
occasions... and with his son, Frederico...
given the opportunity to join any ronda they attended, my preferred position
would be between the two of them...
i'd suggest that martin's appraisal is likely correct... please c
a...@sgi asked the question….
“Ah? Styles exist to *specifically* disrupt the line of dance? In other
words, they specifically mandate you should disrupt the line of dance?
If you think it applies to any style that has received a label, I'd
like to see documentary evidence of that stated ai
If one enters the dance floor with assurance and poise, you will not collide
or
attract collisions. Part of this attitude is one’s confident stance and
correct
embrace. It acts as an energy field and as a protective defence mechanism, the
man’s well-placed elbows also providing a strong ph
a post fromSydney tango forum:
During the Milonga III class of the STS festival on Sunday, Javier Rodriguez,
being obviously critical of Sydney (or maybe Australian) general floor craft &
salon tango etiquette gave all present a serious dressing down, illustrated
with his typically humoro
Hbboogie sets up a phoney boogeyman in Gustavo by using a truncated clip
excerpted from a performance, not a socail dance setting. That whole
kung fu tanda link is either a satire or an outright lie and is pure bee
es. If you notice, the couples there are dancing on a raised stage. I
have danced
Dancing around a couple creates another problem - entering into the space
of the
dancers the next lane inward (assuming there is another lance) or into the
Brownian motion in center of the floor. This is also a navigation hazard.
The
more appropriate thing to do is to become creative with
