For long-time tango-L members:
I'm reconstructing the digests (I'll have another more detailed email on
this later), and I'm missing some Tango-L and Tango-A emails from the
period 24-31 May 2001.
If you have kept your own personal Tango email archives from that
period, please contact me so yo
We loved having you in Pittsburgh, Keith. Keith, BTW, was scheduled to DJ two
milongas, but wound up doing three. No music was repeated and everyone I
talked to loved his dj'ing and the quality of music. He gave some interesting
ideas at the dj'ing workshop. The locals who attended have impr
On 4/21/2015 1:40 PM, Trini y Sean (PATangoS) wrote:
> When my last three emails to the list did not post, I figured it was
> time to leave.
Your email (as most) is not on moderation (I don't think it's ever been)
and all your posts went through directly without any intervention by
anyone (and y
Trini:
You were an important contributor to the List "back in the day." Your
situation compels a discussion about the rules.
I don't know if the rules were created to regulate traffic or a
technological issue, i.e. how many postings you can shove through a server.
I now realize that the rules
ᐧ
We in MN are incredibly lucky to have an Argentine violinist who married a
Minnesotan. Her father is a bandoneon player who played in Calo's
orchestra. He is currently here visiting his daughter and playing several
times while he is here. Besides that, a tango singer who sings in the
Homero Manz
I think the rule is dancing begins AFTER the first composition is played.
Michael
Came home to New York where the Argentine Tango is better
-Original Message-
From: Lois Donnay
Sent: Tuesday, April 21, 2015 6:38 PM
Although I have been to BA many times and have heard many live orchestras
On Tue, Apr 21, 2015 at 3:38 PM, Lois Donnay wrote:
>
> I don't exactly know the etiquette of when to dance to a live orchestra.
> Last year when an orchestra visited, dancers went out on the floor
> immediately, and that just seemed so wrong.
It seems to me that in Minnesota (or anywhere
Well, in Buenos Aires, its de rigueur not to dance the first piece
played by the orchestra. Very often, the floor remains empty into the
second and third piece. The latter is certainly not required or
expected, but often happens, and is influenced by a combination of:
- The mix of the crowd and
please dont go Trini !! ...just the fact that you are reading this shows that
you are as addicted to the list just as all we are...the lastof the Tango
LL it's so easy to go on to something more important../ we could all do
that.../ but we dont'..please reconsider...//if you go.. I go to
