People dance from their environment. Besides our obvious cultural disadvantage
we simply don't set up the situational environment or the collective conscious
mental state that produces this kind of dancing.
We need smaller more crowded floors. The kind of creativity this produces is
superiour
I find this music interestingany info. on where I might find more of the
same??
The dance seems to fit it also...I was wondering, do you thing a close embrace
demo could work with this or is it strictly Chi Chi?
http://www.youtube.com/watch?v=tYI37RvN2oc
Thanks for an enlightening post Heather.
Makes me feel that I'm not the only one outside of BA living on a
different Tango planet.
Anton
___
Tango-L mailing list
Tango-L@mit.edu
http://mailman.mit.edu/mailman/listinfo/tango-l
> We need to give followers the ability to say no to leads who don't feel
> good.
The ability to say no to guys is something girls start out with. So
perhaps you should consider what it is about your method that has taken it
away from them, rather than looking to invent a method to restore it.
On Fri, 2 May 2008 19:06:11 +, you wrote:
>
>People dance from their environment. Besides our obvious cultural disadvantage
>we simply don't set up the situational environment or the collective conscious
>mental state that produces this kind of dancing.
>
>We need smaller more crowded floors
> I find this music interesting
It's "Milonga para una armonica" played by Hugo Díaz.
> any info. on where I might find more of the same??
That track is on the album "Hugo Díaz en Buenos Aires" which is AFAICT now
out of print, but similar stuff is available on "Tangos"
http://www.tango.in