>What do traditionalists need to do to let attendees know that at their
>milongas, one adheres to a line of dance, keeps feet on the floor, and
>generally respects the space of other dancers on the floor?
It would be good as part of educating what traditionalists and nuevoists
(sic?) want is to
--- On Tue, 10/27/09, RonTango wrote:
What do traditionalists need to do to let attendees know that at their
milongas, one adheres to a line of dance, keeps feet on the floor, and
generally respects the space of other dancers on the floor? I don't mean "I can
zip around the floor with rapid an
rhytm beating :)
alberto
--- El mar 27-oct-09, Sergey Kazachenko escribió:
> De: Sergey Kazachenko
> Asunto: Re: [Tango-L] Truth in Tango Advertising & Tango Detente
> Para: "RonTango"
> Cc: tango-l@mit.edu
> Fecha: martes, 27 de octubre de 2009, 2:37 pm
> &
> Nuevo dancers have 'alternative milongas' with a mix of classic tango, modern
> tango, nuevo tango, neotango, and non-tango music.
Now I want to know the definitions of "modern tango", "nuevo tango",
"neotango" and how they differ from each other.
Sergey
May you be forever touched by His Noodl
It's all about the marketing.
There's a new ad in the tango magazines here for classes in "Tango Nuevo
Milonguero" !!!
Now what in the heck is that?
I'm sure the phrase will attract folks who want to be on the "cutting edge"
and/or perhaps to dance both traditional and nuevo.
I suppose the pro
- Original Message
> From: Vince Bagusauskas
> Subject: [Tango-L] Subject: Re: No place left to dance
>
>
> The point being that "alternative music" implies nuevo moves, that terrifies
> some traditionalist people and thus causes much debate.
>
> However, if the term "alternative mil
