Why are the accidentals on the 2nd and 4th notes of the following
"cautionary"?
\input musixtex
\smallaccid
\instrumentnumber1
\startpiece\addspace\afterruleskip%
\Notes\ibu2i0\cna i\qb2i\fl i\qb2{ii}\tbu2\fl h\qb2h\en
\endpiece
\end
Bob T.
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Bob Tennent wondered
>Why are the accidentals on the 2nd and 4th notes of the following
>"cautionary"?
>
>\input musixtex
>\smallaccid
>\instrumentnumber1
>\startpiece\addspace\afterruleskip%
>\Notes\ibu2i0\cna i\qb2i\fl i\qb2{ii}\tbu2\fl h\qb2h\en
>\endpiece
>\end
To remind you to use \startmufle
>|>Why are the accidentals on the 2nd and 4th notes of the following
>|>"cautionary"?
>|>
>|>\input musixtex
>|>\smallaccid
>|>\instrumentnumber1
>|>\startpiece\addspace\afterruleskip%
>|>\Notes\ibu2i0\cna i\qb2i\fl i\qb2{ii}\tbu2\fl h\qb2h\en
>|>\endpiece
>|>\end
>|
>|Seriously, withou
Oops, never mind! I sure did miss the point. I'll have a look into why the
later ones came out as cautionary, but the real TeXperts will probably have
an answer before I do.
--Don
>-Original Message-
>From: icking-music-archive.org-tex-music-boun...@mailman.nfit.au.dk
>[mailto:icking-musi
Hi Bob,
I don't have time to carefully examine the code, but here is a quick fix:
code {\cna i} instead of simply \cna i
In short, add the braces.
Olivier
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If you want to unsubscribe or look at th
>|here is a quick fix:
>|
>|code {\cna i} instead of simply \cna i
>|
>|In short, add the braces.
Thanks Olivier. I had actually tried {\cna i\qb2i} but that killed the beam.
Bob T.
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If you wa
Another fix is to write _two_ \Notes.\en lines:
\Notes\ibu2i0\cna i\qb2i\en
\Notes\fl i\qb2{ii}\tbu2\fl h\qb2h\en
I found an undocumented feature: you can make a parenthesized upper
accidental like this: \Notes\ibu2i0\cna i\qb2i\upperfl j\qb2j\en
It seems \cna opens a parenthesized enviro
Don Simons wrote:
> Oops, never mind! I sure did miss the point. I'll have a look into why the
> later ones came out as cautionary, but the real TeXperts will probably
> have an answer before I do.
Heh, heh - having had a rather too indulgent Corpus Christi to do any of my
own work, here's a solut
David wins the prize! Believe it or not, I had slogged far enough into
musixtex.tex to figure out what was SUPPOSED to be happening, but I never
sorted out the group-hierarchy stuff. (It's interesting to learn that both
the left- and right-parentheses are in a single character from musixfont.)
Why
>|Cautionary accidentals work by setting \...@vii to \maxdimen (cf. \...@sa).
>The
>|final operation in \...@sa is to reset \...@vii to zero.
>|
>|*But* \...@sa when executed within \w...@sa inside an \llap - i.e. within a
>|group. So the assignment is lost at the end of the group. This has
Don Simons wrote:
> David wins the prize! Believe it or not, I had slogged far enough into
> musixtex.tex to figure out what was SUPPOSED to be happening, but I never
> sorted out the group-hierarchy stuff.
\tracingmacros was really useful here - just put \tracingmacros1
...\tracingmacros0 around
Bob Tennent wrote:
> Thanks. I can confirm that this does work on my example. But I'm wondering
> why \smallaccid was essential in producing the incorrect behaviour.
\smallaccid is a shorthand which tells musixtex to interpret \fl as \smallfl
and so on. \smallfl uses \w...@sa where the \fl does n
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