hey thanks for all the info.
i think i will end up getting the HV 30, as i want the Progressive format to
have it look good
on the web, and i'd like to avoid having to do the reverse telecine.
eric.
You know, I thought I was responding to a different mailing list on which
the tone of that would have been more appropriate and taken with a grain of
salt, so please excuse the haughty tone and some irrelevant material within.
Sorry!!! (slinking off to a corner)
On Mon, Jun 9, 2008 at 8:48 PM, Bro
It is 24p. Real 24p. It is just 24p with 3:2 pulldown added. It is no
different in that sense from film footage you've had telecine'd or 24p (as
opposed to PA) DVX100 footage. And unlike the XH-A1 and its ilk, it is true
24P rather than the pixel shift res-compromised fakery (effective as it is)
of
Kary has the basics down.
I use a Canon HV20 and shoot in "24P". It's not actually 24
progressive frames per second. It records 24 progressive frames
across 60 interlaced frames.
What this means is you have to do a double process. The first one is
to import the video as HDV into Final Cut. On
