Re: [Videolib] disc storage devices

We are on day one of transferring to the Chicago One Stop BrowserPaks. I will let you know how it goes. I would still love it if anyone else using Browser Paks could contact me. Thanks! Jacqueline -- Jacqueline L. Protka Digital Assets and Media Librarian Corcoran Library, Corcoran Gallery/Coll

Re: [Videolib] Rights to Antonioni's The Passenger?

We secured rights for a campus screening of this title from New Yorker a few years back -- might be best to check with Linda Duchin: http://www.newyorkerfilms.com/ Best, * Meghann Matwichuk, M.S. Associate Librarian Instructional Media Collection Department Morris Libra

Re: [Videolib] Rights to Antonioni's The Passenger?

Dear Mary, Crouching Tiger expired this year but you can try contacting Sony Classics directly. Please contact me at New Yorker for The Passenger. On 6/2/11 12:31 PM, "Dennis" wrote: > Dear Mary, > > The Passenger was restored by Sony and re-released by Sony Classics >

Re: [Videolib] Rights to Antonioni's The Passenger?

Dear Mary, The Passenger was restored by Sony and re-released by Sony Classics in 2005. Crouching Tiger was also Sony Classics. So they could be New Yorker or still with SC? -- Best regards, Dennis Doros Milestone Film & Video/Milliarium

Re: [Videolib] Rights to Antonioni's The Passenger?

That one was a mess for years. I know Jack Nicholson is at least a part owner. Best thing to track any title down is to start with the company that has it out in home video. Assuming they don't have PPR rights someone there knows who they got the rights from, the trick is getting them to give you t

Re: [Videolib] Me again - Rights to Crouching Tiger, Hidden Dragon?

That should still be Sony Classics. They do their stuff directly except for few titles New Yorker still has, but I would imagine that one is back to Sony. I am sure someone here has contact for them, but I don't On Thu, Jun 2, 2011 at 12:06 PM, Edwards, Mary wrote: > Same question – anyone know

[Videolib] Me again - Rights to Crouching Tiger, Hidden Dragon?

Same question - anyone know where I can find rights? Thanks! Mary E. Edwards Director of Library Services The Art Institute of California - Los Angeles 2900 31st Street Santa Monica, CA 90405-3035 310-314-6154 (tel.) meedwa...@aii.edu

[Videolib] Rights to Antonioni's The Passenger?

Does anyone know where I can obtain rights? Thanks! Mary E. Edwards Director of Library Services The Art Institute of California - Los Angeles 2900 31st Street Santa Monica, CA 90405-3035 310-314-6154 (tel.) meedwa...@aii.edu -

[Videolib] Rights to Y Tu Mama Tambien?

Does anyone know where I can obtain rights to this film? Thanks! Mary E. Edwards Director of Library Services The Art Institute of California - Los Angeles 2900 31st Street Santa Monica, CA 90405-3035 310-314-6154 (tel.) meedwa...@aii.edu

[Videolib] Bill introduced to make streaming a criminal offense...

Don't know how this slipped under our radar, but one of my esteemed Senators, Amy Klobuchar, has introduced a bill amending Copyright Act by making public performance of [infringed] media a criminal offense, in addition to the current civil penalties. There are provisions within the amendment that

Re: [Videolib] UCLA Case

Nice explanation -- "musicologimetrics" on that one. That makes sense, it's enough time to hear the tune and maybe get to the bridge. Those percentages work out, I hadn't considered the clip time as a percentage and was wondering "why 50 rather than 30?" Cheers, Randal - Original Mess

Re: [Videolib] disc storage devices

This may be a solution, if rather than getting new cabinets we re-package into small and thin cases. O. At 08:52 AM 02/06/2011, you wrote: Content-Language: en-US Content-Type: multipart/alternative; boundary="_000_EB1E4106A574F649AEED38D97D0273BC66690E70Ex2010Mailstore_" Tom, we also electe

Re: [Videolib] UCLA Case

Randal--well, you asked me a question and then sort of gave the answer I would give. I am not dealing with this kind of situation myself, so whether I am "OK with a 50 sec. clip" is not relevant. It looks, though, as if the librarians have given it some thought and believe the 50 sec. clip is fa

Re: [Videolib] UCLA case

Jessica--you do rant a lot and I have poked some irritants in your direction recently, but I wanted to add that I'm glad you are on the list and always ready with information, case studies, and valiant defense of the rights owners. I have understood the situation so much more fully from reading

Re: [Videolib] disc storage devices

lorraine On Jun 2, 2011, at 8:53 AM, "Susan Albrecht" mailto:albre...@wabash.edu>> wrote: Tom, we also elected to remove discs from their cases so that we could have better theft protection while still keeping the original DVD cases out in the stacks for browsing. We simply invested in a s

Re: [Videolib] disc storage devices

Tom, we also elected to remove discs from their cases so that we could have better theft protection while still keeping the original DVD cases out in the stacks for browsing. We simply invested in a sturdy, multi-drawer cabinet which holds inexpensive slim disc cases like these: http://www.us

[Videolib] disc storage devices

We've been using the Imation Stakka disc storage devices for storing our circulating DVDs, and they are a constant headache. It seems they're not really capable of handling the volume of use they get here. On reading customer reviews of other comparable devices, it looks like they all have the same