i really like #13 and #18. stripes!
At 1:30 PM -0700 4/3/06, Talan Memmott wrote:
now includes gloves collected in:
karlskrona, sweden
bergen, norway
copenhagen, denmark
http://memmott.org/talan/g_love/
Title: Re: Plantarchy 1
it's really beautiful; congratulations, justin!
At 10:41 PM -0500 3/28/06, [EMAIL PROTECTED] wrote:
dear Wryting:
Plantarchy is a poetry journal. The first issue features work by
members of the list, including mIEKAL aND, John M. Bennett, Alan
Sondheim, Sheila E. Murphy
interesting, i just finished a paper on New York School, Flarf, and
Dante's inferno.
At 2:01 PM -0500 3/15/06, Alan Sondheim wrote:
HELL
http://www.asondheim.org/helll.mp3
THE STRUCTURE OF HELL
http://www.asondheim.org/he.mp3
Oh fuck! squirrels again. Between the walls. Having at it like
bunnies. A sure sign of spring. and of $$$ going out the window as
they come in.
v poignant; reminds me of alan s's "lost" project from some years ago...
At 8:18 AM -0800 3/9/06, Talan Memmott wrote:
'Tis better to have (g)loved and lost than never to have (g)loved at
all.
-Tennyson
The hottest (g)love has the coldest end.
-Socrates
http://memmott.org/talan/g_love/00.html
At 10:11 AM -0600 3/1/06, mIEKAL aND wrote:
You guys need to clean barns for a few days & get it out of your
system
so to speak...
manure power,
~mIEKAL
On Mar 1, 2006, at 5:01 AM, phanero wrote:
late at night imagining a building as round as
a bottom a laser beam from its crack
to
here's a word you'd love:
ziraleet:
an expression of joy by a group of women in
Aleppo, consisting of the words "Lillé, lillé,
lillé" repeated as often as possible in one
breath. Also used figuratively for any expression
of joy.
hey, you from MN, dan?
At 8:55 AM -0500 2/13/06, Dan Waber wrote:
Roger was the middle brother, I was best friends with the oldest. One
Minnesota summer morning we walked in and discovered Roger dancing in
the living room singing "I Am Woman, Hear Me Roar" at the top of his
lungs.
40 words, 40
DOPE-ITTY-DOO-WOP!!
At 5:31 PM -0500 2/5/06, Allen Bramhall wrote:
One city after another discards language for the more vital
infidelities, those that can't lightly be named. Thus poetry, hounded by
the principles of mayhem--which are resident in ticklish parlours of
pleasantries (try to decide
h is for the many hallelujahs you give us
a is for the apple in your alan
p is for the poetry you give us
p is for more of the poetry you give us
y is for ky-yai-yippie eye- ay! for alan on his birthday
b is for the bumper crop of work you give us
i is for the deconstruction of and yet insistence
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