My father dad died
like that making
no news no
news being possible
just something
in the light
over the snow
pieced together
as a dull
ripple of winter
ending
a formidable
process and
child break
into nervous
distortions
same as when mother
and same as when time
firms up or
encloses
a simple rhyth
http://www.jmcvey.net/cable/
incredible resource
The way forward in creative writing theory
Creative Writing: Theory beyond practice
Nigel Krauth & Tess Brady (editors)
Creative Writing: Theory beyond practice is a collection of new major essays
by international scholars and sets the agenda for creative writing studies
in the
practice my white flair in a mid-day rash of thought about the theory moon that weighs something yesterday I promised someone still learning a name the ought comes faster when one has enlisted some experience to pave otherwise free flow to equal now these flaws attracted to
I once sponsored a foot-race between dead composers, but Zeno’s
tortoise stole the show.
m
On Aug 21, 2006, at 8:35 AM, Thomas savage wrote:
Hey Steve, nice to see you're a fan of Scriabin, one of my favorite
composers, especially for the piano. His music for the solo piano has
always seem
scrim on i off ram (p)
Hey Steve, nice to see you're a fan of Scriabin, one of my favorite composers, especially for the piano. His music for the solo piano has always seemed more interesting and moving to me than that of Rachmaninoff, whom everyone loves. Of course, R's cello & piano sonata is incomparable. Still, ov
scr i a bin ( the black mass)
- we put our hands to these dead
we are born not of the buried but of these unburied dead
- Charles Olson Le Preface
these dead/ they walk again within us
slow poems
lyrical etudes
dramatic re-awaken//ings
repeated stones falling from
olympus
{})){))
phanero wrote:
this is nicely sustained, Lanny
eggia
a bolt of
pearl wax
from an insect-metalviolimning
snow-leopard laurels
must surely encrust
the brow
of the reader of this practice
Scriabin is the Him
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