WEDNESDAY, September 22 ----------------------- STRAWBERRY This quartet from PEI are still working out some kinks but they have already come up with a rather original sound. Their set was less sleepy and more upbeat than when they were last seen in Halifax. But the lead vocals were still as dreamy and floating as ever. Deidre Smith's characteristic shy nods to acknowledge applause never fail to amuse/engage me...
PLUM TREE Still surprisingly good for a high school band, but I can't see any significant progression since their last gig. Obviously an original talent that should be encouraged, I think. JALE Jenny seemed a bit tired or something, but, overall, the band were more confident than I have ever seen them. They were not quite as hot as their last gig when they had just come back off their minitour of central Canada. There was an interesting arrangement of "River" and they closed out their set with a rocking version of "Emma". VELOCITY GIRL There's no question that these DC natives are near the pinnacle of slacker pop. They tried out a lot of new songs on the crowd and were met with a warm reception. There were 4 songs from *Copacetic* in their 14-song set: the title track, "Pop Loser", "Audrey's Eyes", and "Crazy Town". The other easily recognizable song was "My Forgotten Favorite", which may have their best. THURSDAY September 23 --------------------- QUAHOGS The Quahogs do not lack talent or musical energy. They do very competent very West Coast hardcore pop. Unfortunately, lead singer Scott Tappen seems to have taken most of his physical cues from Eddie Vedder, and that slouching style does not work for the type of music that he is singing. He needs to develop a more high-energy stage presence before the band can move to another level. Not bad. HARDSHIP POST The Herald's Tim Arsenault claims that this gig might have been their best ever. He obviously didn't see their last one. Nonetheless, even though the band was, as lead singer Sebastian Lippa mentioned between songs, "out of shape", they still put on a high-energy performance that showed the band once again to be a true talent. Missing from their set were "Tables & Chairs Upsidedown" and "I Wait For Me". Their Lenny Kravitz-influenced "Meat Puppets II" song is turning into one of my favorites. I can't wait for their MURDERecords EP *Hack* to be released. LOU BARLOW Lou's head: Nice place to visit, but I wouldn't want to live there. It seems that every night on stage as he sings about it, Lou relives the trauma of his breakup with Kathleen (even though they got back together). Kathleen is certainly a beautiful woman, but sometimes you just want to say "Lou -- get a grip". Anyways, between interrupted songs and musical miscues, Lou's voice was beautiful to listen to. And the acoustic solo format, while trading off the creativeness of Sebadoh as a band, tends to foreground nicely Lou's clever and insightful lyrics. ERIC'S TRIP Sublime. Straight off their UK tour, E's T are hotter than ever. One of the best three performances of the festival, on a par with Redd Kross and the Doughboys. The band were tight, progressing easily from one song to another. Mark, the drummer, is incredible to watch. The combination of low back-lighting, Rick's long-haired leaning-over poses, and Julie's apparent hysteria/mellow tunefulness make for an atmospheric show. When the new album comes out in three weeks make sure to run straight for your local record store. FRIDAY September 24 ------------------- LEONARD CONAN Another good performance from this bunch. Mike McKinnon has excellent chops on the guitar. LC cleverly reserved their two hardest-rocking songs for the end of their set, so they segued nicely into the hardest-rocking night of the festival. I'd personally like to see another 7" or a new tape from these guys. ONE FREE FALL This band seem to think that they are pretty cool. I think maybe they're right. The high point of the show was an incredible take on Neil Young's "Cortez the Killer", which can be heard at the end of their new *Mudcreek* album. Sandy Graham is a very talented guitarist -- and the whole band rocks hard and loud. They show multiple influences, but I think punk/metal pretty much covers it. They promised to return, which is a good thing -- I think they fit in well with the Halifax scene. BUBAISKULL Completely over the top. The highest energy level this band have ever achieved. I'm still not sure what to think of what they did up their. Intelligibility was sacrificed for the sake of sheer energy. Their "mellow" song "The Hum" was dropped from the set, no doubt for that very reason as well. Nonetheless, they proved themselves worthy to be opening for the Doughboys. Still waiting for their CD, and I can't believe they aren't signed to major record label by now. DOUGHBOYS The best performers at the festival, without a doubt. By the time they came on stage the Deuce was more crowded than it has ever been. No one could really move, although the moshing dance floor crowd were threatening to dislodge the railing. Some guys were surfing on top of the crowd. One idiot was trying to knock them down -- between songs John Kastner pointed right at him and said "Hey, asshole! Get it together or I'll throw you out myself!" Then later in the show he did a little riding on his back on the crowd himself. With the new sound system in the Deuce, the 'boys were able to create a really great-sounding set. There wasn't a song in the set that people weren't shaking to. One key to their sound is that they all have great voices. They harmonize well and each take their turn with lead vocals. Punk-grunge-pop-whatever, it's *good*. more later -------------------------------------------------------------------------------- James R. Covey <[EMAIL PROTECTED]> What syllable are you seeking, ......................................... Vocalissimus, Department of English In the distances of sleep? Dalhousie University Halifax, NS B3H 3H5 Speak it.