ok, there hasn't been an overwhelming landslide of mail yet about the new sloan album, so i thought it was time to provoke some comment. what follows is a sort of loose track-by-track response to the record. prepare to flame or spam or whatever...
1) "pen pals" 3:08 it's already been noted that the "wee-waw" guitar part by jay sounds like "even better than the real thing" by u2, and that the song sounds like the rankin family's "north country". has anyone noticed that the tune in the verses is also pretty similar to "underwhelmed"? i wonder if that's why it's not the leadoff single. the lyrics, though, are really clever. it's about a girl from algeria exchanging letters with a 13-year-old boy from norway in really bad english, and the song lyrics are constructed out of their letters back and forth. i wonder if this is based on people that chris knew or read of someplace. "i am a norwegian boy / which have some question / i have only thirteen years / but i am crazy of you..." can someone please tell me what "here's my photo 'deddy-kay say' / one of you would be canon" means? it's the only line i can't figure out and it's really bugging me. i really like the part where the girl says "i worship all your handsome words / to me you seem giant." sweet and clever all at once. 2) "i hate my generation" 2:26 jay sings this one. the overlapping vocals in the first ten seconds make the song sound like the beatles' psychadelia. i think the stripped-down sound on this album really plays to jay's strengths -- he has a clear, melodic voice and it's cool to be able to hear it well. the chant that sounds like they are spelling something out goes "s-e-a-n s-a-i-d / p-l-a-y yeah yeah yeah yeah." i haven't figured out all the lyrics yet so i don't know exactly what the song is talking about there. not that i would necessarily know that if i *did* know all the lyrics. 3) "people of the sky" 3:37 has anyone else noticed how much andrew sounds like lou barlow on this one? this is emphasized by the initial 30 seconds of the track, which sound like a cheap home recording, and andrew's lyrics, which have a lot of syllables per note, which makes them sound more like conversational prose than typical song lyrics (you know, those nice iambs which conform easily to 4/4 time), just like a lot of sebadoh songs. and then there's the fact that his voice just plain sounds like lou. i never noticed that until i heard this song. 4) "coax me" 3:26 one of two songs on this record that sound a lot like matthew sweet (the other one is "worried now"). now would someone please tell me what "if i drink concentrated o.j. / could i think consolidated's o.k. / it's not the band i hate, it's their fans / three cans of water provokes me" means? the video looks like it was shot in 15 mm to give it a grainier look -- it works, it gives the sixties/seventies-look set an aged quality. i notice that the first close shot zooms in on jay's jagger-like features, is that intentional? 5) "bells on" 3:55 question: how could the same song have the lines "well, i'm at this funeral / you're in new york / i've been dividing my grieving / you're sleeping with a mutual friend / i dreamed that i kissed your mouth / and you thought about me over christmas" as well as the line "la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la" (i kid you not)? answer: chris murphy this song is actually more restrained than "deeper than beauty," which ends with the line "la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la ah-h-h-h-h la la la la la." 6) "loosens" 5:26 somehow, it grew cut me in two to tell you the truth, i don't what i'm doing so this is it from where you sit i should be going put it back into the same place where you found it when you came in put me back into the same shape how you found me before you broke me somehow, i knew you'd tell me soon to tell you the truth, i thought you'd tell me sooner frozen where i stand i take you by the hand your grip just loosens this hasn't happened for the first time and i know it won't be for the last time the first time that i listened to this song with headphones on and paid attention to the lyrics, right when the song got to the "i take your hand / your grip just loosens" part, i had this weird sense of deja vu as i flashed on a bad breakup i experienced a few years ago. for some reason, that lyric captured for me the exact sensation of touching your significant (ex-)other for the first time during or after the bomb drops, and feeling that other person cool to your touch instead of warm to it. there isn't an ounce of forced irony in this song, and that's exactly how it should be. i've probably mentioned this before, but i really love patrick's voice. 7) "worried now" 2:40 this song has been changed since the demo version (available soon or already on our ftp site) was recorded a year ago. the arrangement was altered so that it sounds less upbeat, in keeping with the downer lyrics. it still has lots of pop-oomf, this one should be a single, i think. i've probably mentioned this before, but i really really love patrick's voice. 8) "shame shame" 3:04 it's about time that sloan recorded this one, they've been playing it since the pleistoscene epoch (the first epoch of the quartenary period of the cenozoic era, characterized by the spreading and recession of continental ice sheets and the emergence of kearney lake road). it's produced *perfectly* and it better be, with this much time to work on it. the big-drums-after-bare-vocals trick works really well here. it's cool that they waited 'til this album to record this one, though, 'cause there's probably only so many times on a single record that sloan can pull the "take childhood sayings and actions and cleverly and ironically resituate them in adult contexts" stunt and get away with it. 9) "deeper than beauty" 2:40 big drums, spare guitar, a bare basement-practice kind of quality to this song. i absolutely love the lyrics. "and your glasses, your *hideous* glasses / when you remove them / i would rather skip my classes and be caught / then to entertain the thought / that someday you'll just put them on again / but i can make the best of it until then." what is so funny about this song is that it's called "deeper than beauty" and has a couple of lines to that point ("still i know you go deeper than your beauty / you go well above and beyond"), but the whole thing is about this total schoolboy physical-attraction crush. this is a song that could have been produced in that amped-up feedbacked-out _smeared_ style but instead has a very stonesesque guitar riff and totally stripped-down production. it really works. 10) "snowsuit sound" 3:47 quite simply, jay's best vocal work ever. he does the stuttering-vocals thing and absolutely pulls it off. it again has a vague beastles-ish quality to it, kind of like some world party songs. and any song about wearing braces is cool with me. :-) when i listen to this one, and to "i hate my generation" i find that both songs seem like songs that chris murphy might write, whereas patrick's and andrew's songs sound more distinct. does anyone know if all the singers on this record wrote all their own songs, or if chris and jay tend to collaborate more, or something? 11) "before i do" 7:04 pretentious, arty, long, repetitive. i love it. i loved it the first time i heard it, actually, which was last christmas. "and my alarm is set for noon / and it's going to go off / before i do." when i first heard it i assumed it would be at the end of their new album, as kind of a "big finale" thing. the version they included, though, cuts off suddenly and immediately goes into another song, "i can feel it." i guess the idea was to try and avoid doing the most obvious thing. good idea. i can't really tell who does the talking on this version. when they did it live, opening at jale's _dreamcake_ party, chris did the talking part. andrew's two songs on _twice removed_ add a very necessary non-classic-rock-derivative element to this record, balancing it out a little and making it lean just slightly left of centre. 12) "i can feel it" 3:28 jenny from jale does backing vox on this one, and patrick sings lead. there's this bit in the lyrics that going to start a whole new rhyming craze: "no strings attached / no copy to match / no drift to catch / no plans to hatch / no itch to scratch..." it's the "write your own 'i can feel it' lyric game"!! it's easy, see: "no jeans to patch / no purse to snatch..." you get the idea... i think that that part is supposed to be funny, but i have this feeling that people are going to take it as unintentionally funny. oh well. i like the handclaps, it's a pretty addictive song. i've probably mentioned this before, but i really really really like patrick's voice. ----------------------------------------------------------------------------- _James R. 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