The MINI Museum of XXI Century Arts is proud to announce the launch of the second site-specific project designed for its low cost, itinerant architecture: Stolen Artifact, by Nick Crowe and Ian Rawlinson. The piece will be on view from Saturday, June 25 to July 9 (by appointment) at Kotti-Shop, Berlin.

Stolen Artifact takes as its starting point the observation that many of the world's museums have, over the years, built their collections from the outright or covert theft of other people's cultural heritage. «The return of these objects is an ongoing discussion for many western museums and the communities which claim them – the artists explain – and it seemed fitting that we should provide the MINI Museum of XXI Century Art with its own Stolen Artifact. So we made a short “guerilla” film of the bust of Nefertiti in the Neues Museum, Berlin – itself an artifact which the Egyptian Ministry for Antiquities are very keen to have returned. Beyond the idea that all “real” museums need to have some stolen goods on show is the fact that our theft, i.e. the “illegal” recording of an image against the orders of the institution, contravenes not the ownership of the object itself but the Neues Museum's ownership of that object's image (postcards are, of course, on sale in the shop). As such Stolen Artifact is both a video of a stolen object (Nefertiti) and is itself an act of theft whose artifacts, the jagged blotches from this iphone video, are concerned with entirely different question of ownership.»

Nick Crowe and Ian Rawlinson (http://www.croweandrawlinson.net) are based in Berlin and Manchester and have worked collaboratively since 1994. Their work is primarily concerned with the languages of power, with its grammar and with its rhetoric. Projects address questions around faith, politics, national identity and the environment. Their video and sculptural works create an encounter with the viewer that focuses on the complexity of objects and actions in relation to their social contexts. Works like The Fireworks, The Carriers' Prayer or The Four Horsemen operate though an unravelling of the social and ideological consequences of an action in regard to its apparent spectacle. This interest in consequence is reflected in the aesthetics of spectacle and excess that sit at the heart of their practice . Solo exhibitions include The Fireworks, Isolation Room, St Louis, 2011; No Sign of Helicopters, Ceri Hand Gallery, Liverpool, 2010, The Carriers Prayer, Newlyn Art Gallery, 2009 and At 25 Metres, FACT, Liverpool, 2008. Group exhibitions include The Way We Do Art Now, Tanya Leighton Gallery, Berlin, 2010; Re-make/Re-model, National Glass Centre, Sunderland, 2010 – 2011; and Stranger Things are Happening, Aspex Gallery, Portsmouth, 2009.

The Kotti-Shop (http://www.kotti-shop.net) is a multi-faceted Kunst- und-so-weiter space with a focus on collaborative activity and based in the NKZ (Neues Kreuzberger Zentrum) in Berlin, Germany.

Stolen Artifact on YouTube: http://youtu.be/_qGSyn1quRQ
More info: http://blog.theminimuseum.org/


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Domenico Quaranta

Director, The MINI Museum of XXI Century Arts

web. http://www.theminimuseum.org
email. direc...@theminimuseum.org



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