We have the pleasure to announce eight new contributions to Photomediations Machine:
http://www.photomediationsmachine.net

- Véronique Ducharme’s ‘Encounters’ is a photography-based installation presenting images taken by automatic hunting cameras:
http://photomediationsmachine.net/2014/02/15/encounters/

- ‘Deviant Chores’ is an experimental video by Inga Burrows situated between still life and performance to explore domestic routines:
http://photomediationsmachine.net/2014/02/15/deviant-chores/

- In ‘Selfies and the Numbers Game’ Anne Burns offers a critical riposte to popular dismissals of this social media form:
http://photomediationsmachine.net/2014/02/15/selfies-and-the-numbers-game/

- In ‘After Schwitters’ John Darwell follows, literally and visually, the German Dada artist:
http://photomediationsmachine.net/2014/02/15/after-schwitters/

- Do you want to save this photograph? In Max Dean's project the viewer can determine the fate of found family photographs:
http://photomediationsmachine.net/2014/01/19/do-you-want-to-save-this-photograph/

- Mandy Rose’s The ‘Are You Happy?’ Project is a multi-year, multifaceted exploration of the intersection between documentary and networked culture:
http://photomediationsmachine.net/2014/01/19/the-are-you-happy-project/

- ‘Chalk Trace’ by Esther Johnson reanimates an old graffiti journey through a network of streets in a northern English town:
http://photomediationsmachine.net/2014/01/19/chalk-trace/

- ‘A New York Minute’ is the first original, digital-only book from renowned artist Stephen Shore:
http://photomediationsmachine.net/2014/01/19/a-new-york-minute/


************************************************
PHOTOMEDIATIONS MACHINE
http://www.photomediationsmachine.net

Photomediations Machine is a curated online space where the dynamic relations of mediation as performed in photography and other media can be encountered, experienced and engaged.

Photomediations Machine adopts a process-based approach to image making by tracing the technological, biological, cultural, social and political flows of mediation that produce photographic objects. Showcasing theoretical and practical work at the intersections of art and mainstream practices, Photomediations Machine is both an archive of mediations past and a site of production of media as-we-do-not-know-them-yet. Photomediations Machine is non-commercial, non-profit and fully open access.

Curated by Joanna Zylinska and Ting Ting Cheng, Photomediations Machine has an International Advisory Board which includes Katherine Behar, Lisa Cartwright, Alberto López Cuenca, Asbjørn Grønstad, Richard Grusin, Sarah Kember, Max Liljefors, Melissa Miles, Nicholas Mirzoeff, W.J.T. Mitchell, Luiza Nader, Nina Sellars, Jonathan Shaw, Katrina Sluis, Marquard Smith, Hito Steyerl and Bernadette Wegenstein. It is a sister project to the online open access journal Culture Machine (http://www.culturemachine.net), established in 1999.

Website: http://www.photomediationsmachine.net
Follow us on Twitter: @Photomediations
Visit us on Facebook: http://www.facebook.com/photomediations.machine

******************************************************************
SUBMISSIONS

Photomediations Machine invites the following types of submissions:

• Visual projects that fit the photomediations theme (selection of images, links to video hosted elsewhere). We accept submissions from artists themselves as well as from theorists and curators. All visual projects need to be accompanied by a short description or a contextualisation piece.

• Short articles (up to 2000 words, including references) on any aspect of photomediations, accompanied by one or more images.

• Reviews (up to 1400 words, including references) of any relevant exhibitions, events or publications, accompanied by one or more images.

• Interviews with artists, theorists, activists and curators (up to 2000 words) working at the interstices of photography and media, accompanied by one or more images.

• Announcements / news about current exhibitions, installations, events and publications that will be of interests to Photomediations Machine’s readers (100-500 words), accompanied by one or more images.

Further information about submissions:
http://photomediationsmachine.net/submissions

--
Professor Joanna Zylinska
Department of Media and Communications
Goldsmiths, University of London

http://www.joannazylinska.net

Curator of Photomediations Machine
http://www.photomediationsmachine.net

______________________________________________
SPECTRE list for media culture in Deep Europe
Info, archive and help:
http://post.in-mind.de/cgi-bin/mailman/listinfo/spectre

Antwort per Email an