We have the pleasure to announce eight new contributions to
Photomediations Machine:
http://www.photomediationsmachine.net
* In a series of thought-provoking images and commentaries, Richard
Whitlock explores whether photography can overcome perspective:
http://photomediationsmachine.net/2014/05/18/non-perspectival-photography-towards-a-post-digital-visuality/
* Newfotoscapes is a freely available collection of original interviews
with key stakeholders in photography, such as Charlotte Cotton, Mishka
Henner and Katrina Sluis, curated by Jonathan Shaw:
http://photomediationsmachine.net/2014/05/18/newfotoscapes/
* All Our Yesterdays is a virtual exhibition of unique European photographs:
http://photomediationsmachine.net/2014/05/17/all-our-yesterdays/
* In Transubstantiation Mexican artist Elizabeth Castro Regla sees light
as the vital impetus that illuminates and animates inert matter:
http://photomediationsmachine.net/2014/05/17/transubstantiation/
* What are the real effects of digital gaming on our fingers, hands, and
bodies? Matteo Bittani and Iocose investigate:
http://photomediationsmachine.net/2014/03/30/game-arthritis/
* Three Moments by Rob Coley, Dean Lockwood and Adam O’Meara is a
collaborative experiment in philosophizing with a (still and moving) camera:
http://photomediationsmachine.net/2014/03/29/three-moments/
* In the age of open source and open access, what does it mean for
artists and photographers to work with open images? Hito Steyerl’s new
project offers some answers:
http://photomediationsmachine.net/2014/03/29/open-images/
* In David Jacques' North Canada – English Electric, a retired worker
habitually returns as an amateur photographer to the sites he was
previously employed at:
http://photomediationsmachine.net/2014/03/29/north-canada-english-electric/
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PHOTOMEDIATIONS MACHINE
http://www.photomediationsmachine.net
Photomediations Machine is a curated online space where the dynamic
relations of mediation as performed in photography and other media can
be encountered, experienced and engaged.
Photomediations Machine adopts a process-based approach to image making
by tracing the technological, biological, cultural, social and political
flows of mediation that produce photographic objects. Showcasing
theoretical and practical work at the intersections of art and
mainstream practices, Photomediations Machine is both an archive of
mediations past and a site of production of media
as-we-do-not-know-them-yet. Photomediations Machine is non-commercial,
non-profit and fully open access.
Curated by Joanna Zylinska and Ting Ting Cheng, Photomediations Machine
has an International Advisory Board which includes Katherine Behar, Lisa
Cartwright, Alberto López Cuenca, Asbjørn Grønstad, Richard Grusin,
Sarah Kember, Max Liljefors, Melissa Miles, Nicholas Mirzoeff, W.J.T.
Mitchell, Luiza Nader, Nina Sellars, Jonathan Shaw, Katrina Sluis,
Marquard Smith, Hito Steyerl and Bernadette Wegenstein. It is a sister
project to the online open access journal Culture Machine
(http://www.culturemachine.net), established in 1999.
Website: http://www.photomediationsmachine.net
Follow us on Twitter: @Photomediations
Visit us on Facebook: http://www.facebook.com/photomediations.machine
Submissions invited:
http://photomediationsmachine.net/submissions/
--
Professor Joanna Zylinska
Department of Media and Communications
Goldsmiths, University of London
http://www.joannazylinska.net
Curator of Photomediations Machine
http://www.photomediationsmachine.net
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