New deleted scenes with korean sound artist Ji Youn Kang We dig up some unreleased fragments <https://rwm.macba.cat/en/extra/sonia-320-ji-youn-kang-deleted-scenes> of our conversation with sound artist Ji Youn Kang that we were unable to include the first time around.
Link: https://rwm.macba.cat/en/extra/sonia-320-ji-youn-kang-deleted-scenes Timeline 00:01 Adapting to pandemic times 05:27 A possible link between shamanistic ritual music and K-pop 08:28 Erasure and recuperation of Korean cultural heritage 09:48 Controlling instruments vs performing 11:41 Some notes about the Benjolin 13:31 A few notes on feedback 15:32 Part of the Generation X: witness to the switch from analogue to digital technologies and always surrounded by noise 17:38 Composing: finding the right place for sounds 19:07 A few notes on the bamboo instrument 20:39 A broken, second-hand hand harp 22:53 Working with organs: an effort to reveal their mechanical behaviour 25:53 The beauty and ritual of writing 29:02 The Wave Field Synthesis system auditory experience 31:33 Being immersed in the sound world 33:35 The WFS becoming an instrument 34:51 A few notes on the The Pentacle 15.3 Surround Sound System You can find our main podcast here <https://rwm.macba.cat/en/sonia/sonia-320-ji-youn-kang> E/N/J/O/Y!
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