CALL FOR PAPERS

RE:CONNECT — The 12th International Conference on the Histories of Media Art, 
Science and Technology, Helsinki and Espoo, Finland, 11–14 May 2027  

 

uniarts.fi/en/events/mah2027

 

Conference Dates: 11–14 May 2027  

Submission Deadline: 31 August 2026    

 

The 12th International Conference on the Histories of Media Art, Science and 
Technology will take place in Helsinki and Espoo in 2027 with the theme: “RE: 
CONNECT — Universe of Images: The Global North Meets the Global South.”  

 

In a radically destabilized and increasingly multipolar world, shaped by 
geopolitical tensions, climate crises, eroding democracies, and shifting global 
alliances, re:connecting seems more urgent than ever. Rather than signalling a 
simple return or restitution, the “Re-:” in the conference theme names a 
critical reworking of relational structures across histories shaped by 
colonialism, technological dependency, multilingual exchange, and uneven access 
to cultural and computational infrastructures.  

 

Continuing the tradition of the MAH conference series, MAH 2027 engages a 
growing community of scholars from a range of disciplines including art 
history, contemporary art practice, art theory, history of science and 
technology, media studies, image science, visual studies, philosophy, cultural 
studies, anthropology, architecture theory, sound studies, and computer 
science, among others, to develop and share new research and scholarship at the 
intersecting fields of the histories of media art, science and technology. MAH 
2027 is shaped by collaboration across Helsinki and Espoo’s academic, artistic, 
and cultural institutions. Bringing together universities, museums, and media 
art organizations, the conference will be situated within a vibrant ecology of 
artistic research, technological experimentation, and interdisciplinary 
exchange.  

 

MAH 2027 aims to open new dialogues between the so-called Global North and 
Global South in the areas of media art, research, and technology. With the 
topical notion “Universe of Images,” it addresses the multiplicity of images 
and their histories. Rather than searching for one “just image,” MAH 2027 turns 
toward the plurality of “just images:” imagery that is situated, translated, 
contested, preserved, refused, or reactivated across distinct cultural and 
technological contexts. Comprehensive attempts at coordinating and relating 
incompatibilities and incongruencies are more valuable than ever.   

 

With “Universe of Images” as a trigger and entry point, the conference will 
address the complex ways in which meaning and perception are mediated in 
contemporary media cultures, where media technologies have evolved beyond human 
scale and perspective. In terms of media art, digital culture and its research, 
this implies a cluster of challenges and future perspectives–and a heightened 
need to reconnect with the invaluable resources of multilocal traditions.   

 

We invite participants to address and challenge these concerns from the 
perspective of their disciplines, guided by the following subthemes:   

 

  

Media art histories across the so-called Global North and Global South  

• alternative modernities and uneven histories of technological development   

• postcolonial, decolonial, and non-aligned media art histories  

 

Equal and sustainable media structures locally and globally  

• multilingualism, translation, and transcultural media practices  

• diasporic networks, queer and feminist internationalisms, and transnational 
alliances  

• mediatechnological mechanisms of governance  

 

 

Images in the era of technological transition   

• histories of vision and its prostheses e.g. machine vision, algorithmic 
perception, and synthetic visual culture  

• the technological unconscious, distributed cognition and artistic thinking   

• preservation and archiving of media art  

 

  

Submission Guidelines   

Participants will be asked to enter an abstract, keywords, and a short bio 
through the submission form, according to the following guidelines:  

 

Abstract: 600—800 words describing the research objectives, methodology, and 
key arguments. Submissions will be reviewed anonymously. Please do not include 
author names, affiliations, or other identifying information in the abstract.   
 

Keywords: Up to 5 keywords indicating the main themes of the proposal.  

Biography: A brief biography (max. 200 words) of (each of) the author(s).  

 

Individual paper proposals should be planned as 15-minute presentations. 
Pre-constituted panel proposals are also welcome, particularly where they 
demonstrate transnational or global perspectives.  

 

Language  
All submissions must be in English.   

 

Originality  

All papers must be original and not simultaneously submitted to another journal 
or conference.  

 

MAH 2027 will seek to reduce financial, administrative, and infrastructural 
barriers to participation, especially for colleagues from under-resourced 
regions and institutions. The conference is primarily in person, though limited 
hybrid participation may be possible where travel is not feasible. Organizers 
will provide supporting documentation for funding or travel purposes where 
possible.  

 

Important Dates  

Submission Deadline: 31 August 2026  

Notification of Acceptance: 31 October 2026  

 

 

Contact Information   

[email protected] <mailto:[email protected]>   

 

Organizing Committee  

University of Arts Helsinki: Leevi HAAPALA, Mika ELO, Mikhel PROULX; Aalto 
University: Harri LAAKSO, Laura BELOFF; Kiasma: Saara HACKLIN; EMMA: Ingrid 
ORMAN; AV-Arkki: Hanna-Maria ANTTILA

 

Chair  
Leevi HAAPALA

 

Hosts  

Academy of Fine Arts, University of Arts Helsinki, Helsinki   

School of Arts, Design and Architecture, Aalto University, Espoo  

 

Partner Organizations  

Kiasma Museum of Contemporary Art, The Finnish National Gallery  

EMMA Espoo Museum of Modern Art  

AV-arkki, the Centre for Finnish Media Art  

Amos Rex 

The Archive of Digital Art (ADA)  

Society for the Histories of Media Art, Science and Technology   

 

Media Art Histories Executive Board  

Najam ASSAR, Founder, Lahore Digital Art Festival (PK)

Andres BURBANO, Open University of Catalunya, (ES)

Sean CUBITT, Melbourne University (AU)  

Oliver GRAU, MAH Conference Founder and Chair, Society for the Histories of 
Media Art, Science and Technology (DE)  

Laura LEUZZI, Robert Gordon University, Scotland (UK)  

Gunalan NADARAJAN, University of Michigan (US)  

Yu-Chuan TSENG, National Tsing Hua University (TW)  

Yael Eylat VAN-ESSEN, EMBARK • COST Action (AT) 

 

Honorary Board  

Linda HENDERSON, Erkki HUHTAMO, Douglas KAHN, Martin KEMP, Machiko KUSAHARA, 
Tim LENIOR, Douglas DAVIS, Jasia REICHARDT, Itsuo SAKANE, Rudolf ARNHEIM (†), 
Peter WEIBEL (†)  

 

 

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