Hi,

On Nov 12, 2010, at 6:00 PM, sursound-requ...@music.vt.edu wrote:

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> Today's Topics:
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>   1. Re: Largest ever indoor multichannel sound art   installation
>      in the world at Eden project, Cornwall, UK (Trond Lossius)
> 
> 
> ----------------------------------------------------------------------
> 
> Message: 1
> Date: Thu, 11 Nov 2010 19:45:55 +0100
> From: Trond Lossius <trond.loss...@bek.no>
> Subject: Re: [Sursound] Largest ever indoor multichannel sound art
>       installation in the world at Eden project, Cornwall, UK
> To: Surround Sound discussion group <sursound@music.vt.edu>
> Message-ID: <3c58cc0f-c4c1-4a5b-b974-eaac24206...@bek.no>
> Content-Type: text/plain; charset=us-ascii
> 
> Hi,
> 
>> I am writing to let you know about the largest multichannel sound art
>> installation in the world at the Eden project. For those unfamiliar with the
>> Eden Project it is the largest indoor tropical conservatory in the world
>> covering several acres and presently has lots of speakers hidden in the
>> bushes !  Hopefully this event is something that would interest you as well
>> 
>> http://www.edenproject.com/come-and-visit/whats-on/heart-of-darkness.php
> 
> Sounds exciting!
> 
>> hopefully somebody from this list will be able to get down and check it out,
>> Although the installation is laid out with a very unusual speaker
>> configuration which included height information as well as surround sound I
>> have discovered several things during my application of large sound
>> installations. Discrete sound sources (ie one speaker dedicated to one
>> sound) work much better than trying to put the sound in a surround sound
>> image using a surround sound panner in Nuendo or whatever). Leaves act as
>> fantastic dispersers of souind and the sound of say, insects, sound much
>> more realistic if the speaker is hidden in the bushes.
> 
> Depending on how you are rendering and distributing material, DBAP 
> (distance-based amplitude panning) might be of interest as well. It's so far 
> available for MaxMSP as part of Jamoma, as part of Ircam Spatialisateur, and 
> included in the Flux Ircam Spat plugin:
> 
> http://www.jamoma.org/
> http://www.jamoma.org/papers/icmc2009-dbap.pdf
> http://www.fluxhome.com/products/plug_ins/ircam_spat
> 
> DBAP doesn't make any assumptions on positioning of loadspeakers or listener, 
> and was developed for installation purposes.

I suggest X-spat boX2 HD. you may use any speakers configuration fron 4 to 64 
speakers freely positioned in a virtual cube of side from 4 to 900 metres.
You can use also psychoacoustics alghtorims like ITD, Doppler, HRTF, HEAD 
FILTERING and many many other, for more info:

http://xspat.aegweb.com/new/inglese/x_inghost.html

I think that it is the better solution for you.


Cheers.

Simone

> 
>> Although the installation is ambisonically laid out many of the recordings
>> were only taken with surround sound microphones - I am shortly to return to
>> the amazon with new equipment and would welcome any advice on a good
>> multichannel recorder and low noise mics to take with me (I reckon I need at
>> least six inputs for this - sound devices look good but are so expensive -
>> what are peoples on the Tascam 680 ?) any suggestions welcome. I also look
>> forward to discussing the best way of recording ambisonically ,
> 
> So far I'm quite happy with the Tascam 680. It's way better to use with the 
> Soundfield 250 than the Edirol.
> 
> 
> Cheers,
> Trond
> 
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> End of Sursound Digest, Vol 28, Issue 9
> ***************************************

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