Actually, I think the ear/brain does not make
this distinction without pattern recogntion,
in other words, the height impression to the
extent that it arises from spectrum of the sound
depends on what the ear/brain expects the actual
sound to be. There is a similar effect about
frontal versus rear sounds. A
natural familiar type of sound source can be
made to sound behind when played in front if it
is spectrally modified in the way it would be
if it were in fact coming from hehind!
Height perception similarly plays off the
known sound spectrum versus the perceived one
to determine height. But for height it is pretty
crude--7-8 kHz tends to sound up even if it is not.
Cymbals float up in perception even though the sound is familiar
in spite of the source being not up.
This is true in reality as well as in recordings.
Robert

On Sun, 1 Apr 2012, Augustine Leudar wrote:

I am getting a many opinions on this as possible and I have now heard
various answers. It specifically relates to boosted band and, in this
scenario, elevation cues in the median plane . Blauert's 1969 experiment
showed that if an if a narrow band noise or sinusoid wave with a centre
frequency of 8 khz is played to both ears equally  the sound is generally
localized above the head. My question is how does the auditory system
distinguish between 8khz as a directional elevation cue or a boosted 8 khz
that might be present in a soundsource directly in front of the listener ?
So far I have been told its to do with binaular differences between the two
ears (the directional bands may not be the same in each ear due to the
different shapes of the pinna and can be compared, visual cues, envelope
shapes) any clarification or alternatives would be great.
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