Hello All, and with apologies for cross-posting, please forward to anyone who
may be interested. Regards, Tom.
PS. Especially for sursounders, the concert will include some XYZ FoA fun with
recent Peter Zinovieff composition.
///////////////
Peter Zinovieff 80th Birthday Concert & Symposium on Electronic and Computer
Music 11 May 2013, Cambridge UK
Full list of speakers is available, all abstracts online, and registration is
open
Symposium registration includes a ticket to the Peter Zinovieff 80th Birthday
Concert. Tickets for the concert are also available separately for those not
attending the symposium.
Concert and symposium website: www.anglia.ac.uk/emsar
Please note that in order to qualify for the symposium lunch buffet,
registration must be completed at the latest by close of Tuesday 7 May, 2013.
///////////////
One Day Symposium on Electronic and Computer Music, EMSAR 2013
Including an evening concert celebrating the 80th birthday of electronic music
pioneer Dr Peter Zinovieff
Saturday 11 May 2013
Confirmed invited speakers include: Prof Monty Adkins (University of
Huddersfield), Dr Till Bovermann (Media Lab Helsinki), Prof Simon Emmerson (De
Montfort University), Dr Mick Grierson (Goldsmiths), Prof Peter Manning (Durham
University), Dr James Mooney (University of Leeds) and Dr Peter Zinovieff.
The symposium concludes with an evening concert celebrating the 80th birthday
of electronic music pioneer Dr Peter Zinovieff, co-founder in the late 1960s of
Electronic Music Studios, London, and collaborator with such composers as
Harrison Birtwistle and Hans Werne Henze. Zinovieff is now enjoying a
blossoming of compositional activity and this concert will include examples of
both his early work, as well as his most recent work in computer music.
Papers are around the following themes:
• The materiality of early electronic, tape and computer music
• Restoration and archiving of music involving technology
• Modes of representation of electronic and computer music (objects,
scores, code…)
• Constraints, affordances and the idiomatic in electronic, tape and
computer music
• The DIY aesthetic in electronic music hardware of the 20th century
• Hardware and virtual hardware for electronic music (re)creation
• Collaborations between composers and music technologists in the 20th
Century
• Electronic Music Studios (EMS) hardware for 21st Century electronic
music performance
• Spatialisation techniques in early tape, electronic and computer music
• Music technology hardware as a bridge between modernist and popular
music
For any further information, please contact Dr Tom Hall:
Email: tom.h...@anglia.ac.uk
Anglia Ruskin University
Department of Music and Performing Arts,
Anglia Ruskin University
East Road
Cambridge
CB1 1PT
UK
www.anglia.ac.uk/mpa
www.anglia.ac.uk/code
www.anglia.ac.uk/dpl
Dr Tom Hall
Senior Lecturer, Creative Music Technology
Helmore 244
Department of Music and Performing Arts
Anglia Ruskin University
East Road, Cambridge CB1 1PT
Tel: 0845 196 2065 (x2065)
Intl: +44 1223 363271, ext 2065
www.anglia.ac.uk/tomhall
www.ludions.com
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