If it was serious, it would have a tone generator across all four B format 
outputs to allow you to accurately calibrate your recorder.

I asked sound field to do this, and they ignored it when doing the 450 and 
450/2.

But I have ranted about this before. 

jon




On 21/09/2015 10:04, "Sursound on behalf of David Pickett" 
<sursound-boun...@music.vt.edu on behalf of d...@fugato.com> wrote:

>At 09:39 21-09-15, Jon Honeyball wrote:
>
> >Looking at the sound field.com site, at the ST450 instruction manual,
> >I see the pattern knob now goes to fig 8 (and not beyond it, unlike
> >the ST350 control). But the “Width” control still goes to 10 and
> >the instruction manual still says "Offers continuous adjustment of the
> >stereo width from mono (‘0’) through to wide angle stereo
> >(‘10’)” which is meaningless garbage. You’d think they could
> >say “pattern at fig8 and width at 10 equals a classic 90 degree fig8
> >pair” to clarify things.
>
>I dont understand the thinking behind a piece of 
>gear aimed at professional use that relies on 
>potentiometers to set such crucial parameters, 
>and that without any attempt at calibration.  A 
>Chinagraph mark or a scratch on the paint as a 
>reference where to reset the knob for future use 
>is not good enough and, when it comes to 
>adjusting spread, a figure of 0 to 10 means 
>nothing.  RME uses a similarly unhelpful system 
>of 0 to 1 in Totalmix, but at least it is 
>accurately repeatable, and one can work out what 
>an n dB change to the M or S channel means in terms of angular spread.
>
>End of rant.
>
>David 
>
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