Apart from the obvious measurement of the amplitude and phase of the individual signals, which I do, I only have access to two ways of visually monitoring surround signals.

I have always found a phase meter very informative in stereo. There is the centre zero "correlation" meter type, either analog or with LED bars, and the oscilloscope L/R or M/S method which I find less useful. Having written that, I must say that I find the "Vector scope" in RME's Digicheck works well. This is an oscilloscope display but there is the option of AGC, and the rise and fall times are adjustable.

Digicheck's surround visualisation includes phase meters between all the channels of the "correlation" type and a synthesized two dimensional display which assumes five channels in the directions of 5.1. If there is sound on one channel, one sees a line pointing in the direction of the relevant loudspeaker. Two adjacent channel produce a triangle, one apex at the centre, four a quadrilateral, etc. Thus the space between the channels is filled in, although to me this conveys no real information. One can read the individual phase meters, which are mostly of use with tones, or read the position of the corners of the display to see the relative magnitude of the levels in each channel. (There are also separate level meters on the same panel.)

The other surorund display that I have is in Samplitude, and also assumes 5.1. This produces cigar shaped signals for individual channels, coming to a point at the origin, but very rounded at the outer end. Two front signals will fill in the space between the L&R cigars, etc. Other than that, I have been uinable to discover how it works. With this display, one can see if a single channel is low or high in level, and gauge the relative levels of F and B. But there is no indication of the coherence, or lack of it, between channels.

On a stereo phase display, such as that in Digicheck, one can readily see if a mono signal has been placed in the stereo by means of a panpot; but this cannot be seen in either of the surround visualizations that I have.

What might work would be the Digicheck stereo display modified such that signals in the front half on the soundfield are placed in the top half of the display, while the rear half is in the lower part. Then it might be possible to distinguish between panpotted signals and coherent pairs.

I'd be very interested to know about other methods of visualizing surround -- in the horizontal plane, at least to start with. In my experience I can tell a lot about a stereo signal by watching the level and phase meters, and I would like to be able to do also in surround.

David

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