Yes, I think many people think about this (as a quick bit of Googling will reveal). As a PhD topic - well, it's a subject area, but not really focussed enough to be a topic (and hence, not developed enough to form the basis of a proposal) One way forward would be to find psychoacousticians, auditory scientists and cognitive scientists who are also musicians; there are plenty. Names that spring to mind might be Stephen McAdams, Daniel Levitin, Albert Bregman, Ron Shepherd, Diana Deutsch.... and many more. Then take a look for journals that look at cognitive science and music - gradually, you'll start to see names cropping up repeatedly. Track down their publications pages, and dive in. In respect of spatial listening, again, many people have studied this - and of course, spatial listening for music might be quite different from listening to real environments (the former are rarely as potentially hazardous as the latter!). So, AES journals, JASA, ICAD would be good places to start. Look also for those 'out there' electroacoustic composers who are interested in psychoacoustics, philosophy of perception, neuroscience.
All of the above could form the basis of the first 50% of the PhD, but actually are prerequisites for formulating a decent proposal. p.s. - I wasn't sure what "sound based music" might be? Dr. Peter Lennox SFHEA Senior Lecturer in Perception College of Arts, Humanities and Education School of Arts e: p.len...@derby.ac.uk t: 01332 593155 https://derby.academia.edu/peterlennox https://www.researchgate.net/profile/Peter_Lennox University of Derby, Kedleston Road, Derby, DE22 1GB, UK -----Original Message----- From: Sursound [mailto:sursound-boun...@music.vt.edu] On Behalf Of Augustine Leudar Sent: 16 August 2017 11:00 To: Surround Sound discussion group <sursound@music.vt.edu> Subject: Re: [Sursound] Sound Based Composition (surround) I do all the time. I think there's quite a few papers on the subject as well. On 16 August 2017 at 10:46, 霖の <951343...@qq.com> wrote: > Dear all: > Have u ever thought about using psychoacoustics and cognition > psychology principles to compose electronic music especially on sound based > music ? > For instance, when making surround sound, we need to consider how > people listen the sound in space. I'm thinking this might be a > potential phd proposal topic. > > > Looking forward your reply, > Thanks, > Yilin > > 发自我的iPad > -------------- next part -------------- An HTML attachment was > scrubbed... > URL: <https://mail.music.vt.edu/mailman/private/sursound/ > attachments/20170816/cbeab666/attachment.html> > _______________________________________________ > Sursound mailing list > Sursound@music.vt.edu > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe > here, edit account or options, view archives and so on. > -- Dr. Augustine Leudar Artistic Director Magik Door LTD Company Number : NI635217 Registered 63 Ballycoan rd, Belfast BT88LL -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20170816/aeec03bd/attachment.html> _______________________________________________ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on. The University of Derby has a published policy regarding email and reserves the right to monitor email traffic. If you believe this was sent to you in error, please reply to the sender and let them know. Key University contacts: http://www.derby.ac.uk/its/contacts/ _______________________________________________ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
