(Apologies for cross posting.) Perspectives on Music Production: 3-D Audio Call for Contributions Arguably the most rapidly expanding area of audio production is that of 3-D audio – surround sound with representation of height. Such playback is increasingly commonplace in cinemas, and multi-speaker home setups and sound-bars are following. In parallel, headphone-based 360° spatial audio is experiencing huge growth, and the technologies that underpin this are steadily improving. Such listening is being driven by virtual and augmented reality, and beyond gaming, soon such applications will proliferate into many areas of daily life – from productivity to education, through social networking to music playback.
Within 3-D audio, there exists an extensive and diverse range of specialist commercial disciplines – each also with corresponding academic communities. These include 360° video-content-creators to architects, post-production creatives to game designers, musicians to hardware manufacturers, and many more. In the background, there are numerous strands of scientific research empowering such applications: sound recording, psychoacoustics, software design, architectural space modelling and more. This book will contain a mixture of chapters on both practice-led applications and technical/scientific treatments. The editors welcome abstracts for proposed chapters in a forthcoming Routledge edited-volume entitled ‘3-D Audio’. The scope for contribution areas are listed below – all of these are with regard to 3-D audio. These areas are not exclusive. * 360° video * ambisonics * architecture * audio for virtual/augmented/mixed-reality * audio for games * binaural/spatial-audio engineering * broadcast and object-based approaches * cinema-sound/post-production * codecs * content-creation * digital signal processing * education * electroacoustic music * future trajectories * hardware and software development and manufacture * human-computer interaction * installations and sonic art * live sound/room acoustics * music perception/cognition * music mixing/production * psychoacoustics * spatial music-composition * recording * state of the art * virtual acoustic modelling Please submit an abstract of 500-750 words to 3dau...@hepworthhodgson.com<mailto:3dau...@hepworthhodgson.com> Please also include a biog of 200-300 words. Should you have any questions, please email this address. Dates and Deadlines Submission of abstracts for consideration: 5 April 2019<x-apple-data-detectors://1> Authors notified if abstract accepted or rejected: 18 April 2019<x-apple-data-detectors://2> Chapters to be submitted in full (including release forms): 15 November 2019<x-apple-data-detectors://3> Completion of review/edit process: 10 January 2020<x-apple-data-detectors://4> Any required author-amendments completed by: 14 February Holistic review by series editors then submission to Routledge: 24 April 2020<x-apple-data-detectors://6> Production process: May – July 2020 Print/Distribution: September – October 2020 About the Perspectives On Music Production Series Perspectives On Music Production (POMP) is a series of edited and monograph volumes reflecting a multitude of disciplines, practices and ideas under the contemporary term ‘music production’ Other edited volumes include Mixing Music and the soon to be released Producing Music. Monograph and other calls can be found at www.hepworthhodgson.com<http://www.hepworthhodgson.com/> Please note that Routledge do not offer financial remuneration to their contributors. Volume Editors Prof. Justin Paterson, London College of Music | University of West London, UK Dr Hyunkook Lee, University of Huddersfield, UK Series Editors Dr Jay Hodgson, Western University, Canada Dr Mark Marrington, York St John University, UK Russ Hepworth-Sawyer, York St John University, UK University of Huddersfield inspiring tomorrow's professionals. [http://marketing.hud.ac.uk/_HOSTED/EmailSig2014/EmailSigFooter.jpg] This transmission is confidential and may be legally privileged. If you receive it in error, please notify us immediately by e-mail and remove it from your system. If the content of this e-mail does not relate to the business of the University of Huddersfield, then we do not endorse it and will accept no liability. -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20190312/5fd95162/attachment.html> _______________________________________________ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
