(Apologies for cross-posting) *Call for Papers:* AES 147th Convention, New York, NY, USA Dates: 2019 Oct 16–19
Papers chairs: Areti Andreopoulou and Braxton Boren Topics Proposals describing work in any area of audio engineering and its related arts and sciences will be considered for inclusion in convention sessions. A detailed list of proposed topics <http://www.aes.org/events/147/authors/cfc/#Topics> is given below. Categories Authors may submit proposals in four categories: 1. Complete-manuscript peer-reviewed convention papers 2. Abstract-precis-reviewed convention papers 3. Synopsis-reviewed engineering briefs 4. Workshops/tutorials/masterclasses Submitting a Proposal Category 1 and 2 proposals are to be submitted electronically to the AES 147th Papers EasyChair system <https://easychair.org/conferences/?conf=aes147papers> by 2019 May 31. For the complete-manuscript peer-reviewed convention papers (category 1), authors are asked to submit papers of 4–10 pages to the submission site. These complete-manuscript papers will be reviewed by at least two experts in the field, and authors will be notified of acceptance by 2019 July 5. Final manuscript with revisions requested by the reviewers have to be submitted before 2019 July 26. If rejected as a convention paper (Cat. 1), the proposal may still be accepted for categories 2 or 3. For abstract-precis-reviewed proposals (Cat. 2), a title, 60-to 120-word abstract, and 500- to 750-word précis of the proposed paper must be submitted by 2019 May 31. Authors will be notified of acceptance by 2019 June 28, and the authors must submit their final manuscripts (4 to 10 pages) before 2019 July 26. If rejected from this category, the proposal may be still be accepted as an engineering brief (Cat. 3). Papers exceeding 10 pages run the risk of rejection without review. If such a paper is accepted the author will be charged a fee of $25 for every page over 10. For engineering briefs (Cat. 3), authors must supply a short synopsis to the AES 147th E-Briefs EasyChair system <https://easychair.org/conferences/?conf=aes147eb> by 2019 August 1 to indicate their desire to present an engineering brief, followed later by an electronic manuscript. Topics for the engineering briefs can be very wide-ranging. Relaxed reviewing of submissions will consider mainly whether they are of interest to AES convention attendees and are not overly commercial. PDF manuscripts of 1–5 pages following the prescribed template must be submitted by 2019 August 30. Workshops/tutorials/masterclasses (Cat. 4) Those wishing to submit proposals for sessions under the above heading should complete the submission form on the AES 147th Workshops EasyChair system <https://easychair.org/conferences/?conf=aes147workshops>. These will be considered by the convention committee for suitability, and may be chosen for one of the convention tracks, or as a stand-alone event. A guide deadline of 2019 June 1 is suggested, but this may be adjusted by the convention committee. For questions about this category of submission, contact the convention chairs <http://www.aes.org/contact/send_email.cfm?ID=161>. Registration All presenting authors (one per paper for categories 1 to 3) will be required to pay a Presenting Author Fee at the following applicable rate: AES members (Life member/Fellow/Member/Associate categories): $470 AES student members:$130 Non AES members: $595 These amounts are below advance registration fees for the Convention and are required payment for all presenting authors. No additional registration fee will be payable, all Presenting Authors will receive a Four-day All Access Badge on payment of their Presenting Author Fee. Publication in the E-Library All convention papers will be available in the AES E-Library <http://www.aes.org/e-lib/> no earlier than 10 days before the convention starts. All individual AES members now have free access to the E-Library. Any non-member author paying the non-member price for a four day All Access badge will also be given free access to download the convention papers from the E-Library. Awards Presenting authors who are student members and whose convention papers (Cat. 1 or 2) are accepted will be eligible for the Student Paper Award at the 147th; peer-reviewed Cat. 1 papers are given preference by the award judges. Presenting authors of accepted Cat. 1 papers will be eligible for the Best Peer-Reviewed Paper Award. Poster or Lecture During the online submission process you will be asked to specify whether you prefer to present your paper in a lecture or poster session. Highly detailed papers are better suited to poster sessions, which permit greater interaction between author and audience. The convention committee reserves the right to reassign papers to any session, lecture or poster. Schedule The submission sites will be available by early March. Proposal (Cat. 1 and 2) deadline: 2019 May 31 Acceptance (précis proposals, Cat. 2) emailed: 2019 June 28 Acceptance (full papers, Cat. 1) emailed: 2019 July 5 Final manuscript (Cat 1 and 2) deadline: 2019 July 26 Engineering brief (Cat. 3) proposal deadline: 2019 August 1 Engineering brief (Cat. 3) 1–5 page PDF deadline: 2019 August 30 Workshops/tutorials/masterclasses (Cat. 4): guide deadline 2019 June 1 Open Access Authors can pay an additional fee to make papers Open Access. See our Open Access page <http://www.aes.org/openaccess/> for more information. Proposed Topics Audio applications and technologies Digital broadcasting Forensic audio Automotive audio Audio for mobile and handheld devices Audio in education Networked, Internet, and remote audio Auditory display and sonification Interactive sound New audio interfaces Web 2.0 technologies Audio content management Archiving and restoration Audio formats Digital libraries Automatic content description Audio and music information retrieval Audio Processing Analysis and synthesis of sound Audio effects Machine listening Music and speech signal processing Auditory scene analysis High resolution audio Audio coding and compression Audio Equipment Microphones, converters, and amplifiers Loudspeakers and headphones Wireless and wearable audio Instrumentation and measurement Musical instrument design Protocols and data formats Immersive Audio Multichannel and spatial audio Audio for Virtual / Augmented Reality Environments Game Audio Sound design / acoustic simulation of immersive audio environments Evaluation of spatial audio Spatial audio applications Perception Audio perception Audio quality Hearing loss, protection, and enhancement Listening tests and evaluation Speech intelligibility Psychoacoustics Recording, Production, and Reproduction Live event and stage audio Mixing, remixing, and mastering Room and architectural acoustics Sound design and reinforcement Studio recording techniques Electronic Dance Music Hip Hop and R&B -------------- next part -------------- An HTML attachment was scrubbed... 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