UHJ was one way to derive a 2.0 stereo pair for LP or CD reproduction starting with the B format.
Now for surround you need UHJ-like frontal and rear pairs derived from whatever Ambisonic signals you have. I am sorry I am not really qualified in decoding Ambisonic coded signals to front and rear pairs that have solid values of LD and TD and are not overly contaminated with mono ceiling reverb. If you use an Ambiophone to make live recordings it is much easier. The Ambiophone is essentially two soundfield mics with a head width barrier between and above them. You can easily make one using four omni capsules. (see the papers by Robin Miller on the www.ambiophonics.org website.) Ralph Glasgal -----Original Message----- From: Sursound [mailto:sursound-boun...@music.vt.edu] On Behalf Of Sean Devonport Sent: Thursday, August 08, 2019 1:30 PM To: sursound@music.vt.edu Subject: Re: [Sursound] The Acoustics of Domes I appreciate the response everyone. I shall be in contact. Thank you! Ralpha, would I need to calculate ambisonic decoders for the Ambiophonics, or do you literally just feed the raw signals? I've read into Ambiophonics before and been quite interested by it, but haven't had a chance to try it. Keen to look at it a bit more to get more of an idea. -- Sean Devonport -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20190808/b52 33aac/attachment.html> _______________________________________________ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on. _______________________________________________ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
