Hello,

Great Fest as always.  It seemed shorter this year which I think was due
to the extra day last year.  I did not get to do everything I planned,
like listening to trunked radio systems, but that is typical.  Too much
equipment, Too little time.

I did not find any additional information in Providence at the RI
Historical Society but searching archives can be hit or miss.  The lead
came from another discovery at the Provincial Archives of New
Brunswick.  I saw a copy of letters, nearly two hundred year old, that
describe the life of a direct ancestor.  It was either in his own hand
or transcribed.  I like watching a program called "History Detectives"
on PBS.  It is a kid's program but they talk about archives and doing
research.  Genealogy shares a lot of the same techniques as other
history research.  I depend on various archives that hold histories of
people and places for most of my research.

Sheldon gave a talk about making provisions for things relating to your
radio hobby after you die.   Beside equipment there may be recordings,
QSLs, etc that are pieces of history.  We tend not to label things well
because we know what they are.  In Genealogy this results in the "Guess
who is in the picture" problem.  It reminds me of a song by Eric Bogle I
played on the way home called "No Man's Land".  The singer is resting by
the graveside of a 19 year old soldier who died in 1916 and wonders if
his photograph is a cherished one or just an old one of an unknown person.

This comic references the death of one of the D&D creators and was
recently released.
http://xkcd.com/393/

A good portion of the Listening Lounge is audio that has been collected
by people and placed in an archive somewhere.  A lot of audio and video
material has been lost.  It is surprising some of the audio and video
that are on The Internet.  People are making websites into ad hoc
distributed archives with interesting content like "Spiders on Drugs".
http://www.youtube.com/watch?v=sHzdsFiBbFc
The problem is what happens to the content when people and companies die
or move on to other things.

It is strange to see Electronics I used back in the 1970s and 1980s in
Museums now.  I could see receivers like a AOR 7030+ in a museum 20, 30,
40, etc years from now.  Rather than just a static display of equipment
the museum should also display static.  Have in the background audio
from various shortwave stations fade up out of low level static and back
down again with an occasional cross-fade of two stations.  Play a bit of
the VOA Jazz Program, the theme to Radio Newsreel, Enver Hoxha speeches,
bits of historical events, etc.  I wonder if in 30 or 40 years anyone in
the totally digital world will know what analog static sounds like.  It
is like kids today not knowing what direction clockwise is because of
all the digital clocks.

So looking back on the fest I found some interesting connections.

73 Eric
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