The School of History and Philosophy @ UNSW presents

Robert Sinnerbrink (Macquarie University)

Re-enfranchising Film: Towards a Romantic Film-Philosophy
 
Abstract:
A number of philosophers and film theorists have united recently in their 
criticisms of philosophically reductionistic approaches to film. Simon 
Critchley, Stephen Mulhall, and Daniel Frampton, for example, all champion 
pluralistic, non-reductionistic ways of thinking through the film-philosophy 
relationship. Nonetheless, the temptation to disenfranchise film—reducing it to 
an inferior way of knowing or subsuming it within a received conceptual 
framework—continues to haunt many contemporary philosophical approaches. 
Fortunately, however, there are also various styles of philosophising on and 
with film that attempt to overcome this disenfranchisement. This alternative 
approach, which I call “romantic film-philosophy”, is distinguished by its 
questioning of the assumption that conceptual theorisation should be privileged 
over cinematic aesthetics. Romantic film-philosophy responds to film as a way 
of thinking, one that might even be understood as distinctively cinematic. In 
what follows, I argue that this romantic approach to film-philosophy—which 
takes film to be capable of the aesthetic disclosure of novel aspects of modern 
experience—provides a salutary way of overcoming the philosophical 
disenfranchisement of film. It attempts to do justice to the complexity of the 
film-philosophy relationship, allowing film to be philosophically 
self-reflective, while opening up the possibility that philosophy might be 
transformed through its encounter with film.


Robert Sinnerbrink lectures in the Department of Philosophy at the Macquarie 
University. He is the author of Understanding Hegelianism (Acumen, 2007) and 
co-editor of Critique Today (Brill, 2006) and Recognition, Work, Politics: New 
Directions in French Critical Theory (Brill, 2007). His research spans 
Continental Philosophy, aesthetics, philosophy of film, critical theory, 
romanticism, Heidegger, and political philosophy, and he is currently writing a 
book entitled New Philosophies of Film: Thinking Images (Continuum, forthcoming 
in 2011).
 
When?   Tuesday 1 June, 1 p.m.
Where?  Room 308B, Morven Brown Building, University of New South Wales

A light lunch is provided. No bookings are required, and all are welcome. 
For further information, please contact Joanne Faulkner, 
[email protected], 9385 2287.



Dr. Joanne Faulkner
ARC Research Fellow
School of History and Philosophy
Faculty of Arts and Social Sciences
Room 338, Morven Brown Building
University of New South Wales,
Kensington, NSW 2052
Australia

[email protected]
+61 2 9385 2287
http://hist-phil.arts.unsw.edu.au/staff-search/joanne-faulkner-633.html
Treasurer, Australasian Society for Continental Philosophy: 
http://www.ascp.org.au_______________________________________________
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