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Title: Sally Macarthur (Western Sydney): Reading Deleuze as a Feminist
Musicologist
Sally MacarthurSchool of Humanities and Communication ArtsWestern Sydney
UniversityABSTRACTReading Deleuze as a Feminist MusicologistIn this paper I
will explore the connection between musicology and French philosophy.
Specifically, I will ask what draws me as a feminist musicologist to the
work of Gilles Deleuze, and Deleuze with Félix Guattari. Why is this
French, male philosopher and his psychotherapist collaborator of interest
to a musicologist working in Australia today? How does their work, with its
productive, conceptual vocabularies and interpretative frameworks, connect
with my work, allowing me to think about music in new and imaginative ways?
As a discipline, musicology predominantly seeks to understand what music
means and it does this by representing music: producing scores, graphic and
descriptive analyses, and paying attention to the identities, including
performers and composers, that create it. For Deleuze and Guattari,
representation and identity are the enemies of thought. For them, thought
is not representational and nor is it grounded in identity. Rather, thought
is generated out of difference such that the experiences and
representations of an individual are conceived as the effects of diverse
forces, or what they would call the multiplicity. These forces are
constantly transforming each other, giving rise to difference or what they
would call differenciation (difference constantly differing). Instead of
asking what music means, then, the Deleuzian musicologist would ask: what
does music do? Replete with examples, the paper will explore what music
does when it connects with feminism, Deleuzian philosophy and music in
various contexts. Zoom details: [email protected] is
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When: Wed 2 Sep 2020 15:30 – 17:00 Eastern Australia Time - Sydney
Where: https://uni-sydney.zoom.us/j/92977294747
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