Dear all,

The Critical Antiquities Network is launching a new initiative called the 
Studio for Critical Antiquities, hosted by the Australian National University. 
This forum is designed to support work in formation for early career scholars 
working at any kind of interface between antiquity and critical theory. It will 
run twice a semester alongside the Critical Antiquities Workshop. Unlike the 
Workshop, sessions in the Studio will be dedicated mostly to discussing a 
pre-circulated sample of the speaker's work. More information about the Studio 
(including forthcoming events) can be found 
here<https://www.criticalantiquities.org/studio>.

For our first event, we are thrilled to host Ben Radcliffe (Loyola Marymount 
University) to discuss his current project 'Sensing Labor in the Iliad'. Ben 
has generously agreed to circulate a draft chapter from this project. Ben will 
introduce the material at the beginning of the session, but we recommend 
reading the chapter in advance if you have time.  If you would like a copy of 
the chapter and intend to participate in the session, please send an email to 
[email protected] by Monday 9 March. We also ask that you register for the 
Critical Antiquities Network mailing list if you haven't done so already (see 
below).

This event will be held on Zoom on Wednesday 18 March, 9.30-11am (Sydney, 
Canberra, Melbourne time).

Here is the time in other locations:


  *
Los Angeles/Vancouver: Tuesday 17 March, 3.30-5pm
  *
Chicago: Tuesday 17 March, 5.30-7pm
  *
Mexico City: Tuesday 17 March, 4.30-6pm
  *
New York: Tuesday 17 March, 6.30-8pm
  *
Santiago/Buenos Aires/Rio de Janeiro: Tuesday 17 March, 7.30-9pm
  *
Dublin/Belfast/London: Tuesday 17 March, 10.30pm-12am
  *
Paris/Berlin/Rome: Tuesday 17 March, 11.30pm-1.00am
  *
Johannesburg/Athens/Cairo: Wednesday 18 March, 12.30-2.00am
  *
Beijing/Singapore/Perth: Wednesday 18 March, 6.30-8.00am
  *
Tokyo: Wednesday 18 March, 7.30-9.00am
  *
Darwin: Wednesday 18 March, 8.00-9.30am
  *
Brisbane: Wednesday 18 March, 8.30-10.00am
  *
Adelaide: Wednesday 18 March, 9.00-10.30am
  *
Auckland/Wellington: Wednesday 18 March, 11.30am-1.00pm


To register, please sign up for the Critical Antiquities Network mailing list 
to receive Zoom links and CAN announcements: 
https://signup.e2ma.net/signup/1930251/1916146

Here is the abstract:

Sensing Labor in the Iliad

My book project examines poetics and political economy in Homer and Hesiod. It 
explores how epic narratives attend to their social infrastructure, to the work 
of slaves, artisans, and wage laborers who produce the wealth that sustains the 
genre’s landowning protagonists. “The world of epic,” understood as a fictive 
social order, has been studied intensively for clues about its historical and 
ideological content. This project aims to reconceptualize one component of this 
world, its political economy, as an aesthetic process. It asks how the Iliad, 
the Odyssey, and Works and Days condition their audiences to project a coherent 
totality from abundant but scattered details—about labor, commodities, and 
social domination—presented in the margins of the narratives. It also asks how 
these glimpses of an encompassing social context variously enrich and 
destabilize the epics’ poetic agendas. Drawing on recent developments in 
Marxian literary theory, the project understands the epic economy as a 
conflicted aesthetic terrain in which the labor of epic’s elites is valorized 
and reified even as audiences are led to detect its dependence on the exploited 
labor of minor characters and perceive narrative pathways foreclosed by the 
genre’s social form.

Looking forward to seeing you there!

Tristan Bradshaw
Ben Brown
Tom Geue
Andy Poe



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