Dear all, The Studio for Critical Antiquities is thrilled to host Jermaine Bryant (Harvard Society of Fellows) to discuss his new project 'Léopold Sédar Senghor's Ethnological Antiquity'. Jermaine is in the early stages of this research, so will not be circulating a draft of his own work. By way of preparation for the session, Jermaine recommends we read Senghor's 'Negritude and Mediterranean Civilization' as an introduction to his thought (newly available in English in this collection: https://www.dukeupress.edu/the-essential-senghor). If you would like a copy of the chapter and intend to participate in the session, please send an email to [email protected] by Wednesday 6 May. We also ask that you register for the Critical Antiquities Network mailing list if you haven't done so already (see below).
This event will be held on Zoom on Wednesday 20 May, 9.30-11am (Sydney, Canberra, Melbourne time). Here is the time in other locations: * Los Angeles/Vancouver: Tuesday 19 May, 4.30-6pm * Chicago: Tuesday 19 May, 6.30-8pm * Mexico City: Tuesday 19 May, 5.30-7pm * New York: Tuesday 19 May, 7.30-9pm * Santiago/Buenos Aires/Rio de Janeiro: Tuesday 19 May, 7.30-9pm * Dublin/Belfast/London: Tuesday 19 May, 12.30-2am * Paris/Berlin/Rome: Tuesday 19 May, 1.30pm-3am * Johannesburg/Athens/Cairo: Wednesday 20 May, 1.30pm-3am * Beijing/Singapore/Perth: Wednesday 20 May, 7.30-9am * Tokyo: Wednesday 20 May, 8.30-10am * Darwin: Wednesday 20 May, 9.00-10.30am * Brisbane: Wednesday 20 May, 9.30-11am * Adelaide: Wednesday 20 May, 9.00-10.30am * Auckland/Wellington: Wednesday 20 May, 11.30am-1pm To register, please sign up for the Critical Antiquities Network mailing list to receive Zoom links and CAN announcements: https://signup.e2ma.net/signup/1930251/1916146 The Studio for Critical Antiquities is a new initiative of the Critical Antiquities Network, hosted by the Australian National University. This forum is designed to support work in formation for early career scholars working at any kind of interface between antiquity and critical theory. It runs twice a semester alongside the Critical Antiquities Workshop. More information about the Studio (including forthcoming events) can be found here<https://www.criticalantiquities.org/studio>. Here is Jermaine's abstract: Léopold Sédar Senghor's Ethnological Antiquity In The Wretched of the Earth (1961), Frantz Fanon delivers a searing critique of intellectuals with “colonized minds”: “The native intellectual accepted the cogency of [Western ideals], and deep down in his brain you could always find a vigilant sentinel ready to defend the Greco-Latin pedestal.” (45) Fanon is alluding to Léopold Sédar Senghor (1906-2001), theorist of Négritude (francophone intellectual and artistic movement that took pride in Blackness), poet, and founding president of Senegal (1960-1980). Senghor, the first Black African professeur agrégé of Greek and Latin in France, was well aware of the apparent tension between cherishing Greek and Latin and his thinking on Blackness. In La Poésie de l’Action (1980), an autobiography in the form of interviews with Mohamed Aziza, Aziza introduces Senghor with a series of “contradictions.” The final contradiction concerns Senghor’s Greco-Roman sympathies: “that this ‘champion of negritude’ would … maintain the teaching of Greek and Latin in the education system of his own country.” (9-10) Though much work on Senghor acknowledges his classics training, none commits to examining the impact of Senghor’s Greco-Roman studies on his work. This talk presents early findings toward a monograph that demonstrates that underpinning much of Senghor’s work is a lifelong effort to reconstruct a multiracial and multicultural antiquity. Senghor held that in order to believe that an equal, culturally and racially integrated world was truly possible, one must see that such a world already existed. To this end, Senghor studied ethnology, which he combines with his literary analysis to develop a scholarly method for reading Blackness in antiquity at least as early as the 1940s. Though he soon leaves more focused academic work to embark on his political career, he continues to “reconstruct” this antiquity in his theory and policies. In this talk, I will discuss both the ethnological method Senghor develops to study antiquity, and we will look at some of its products, which include theoretical interventions, political and educational policies in Senegal, and readings of Blackness in Greco-Roman literature. Looking forward to seeing you there! Tristan Bradshaw Ben Brown Tom Geue Andy Poe --------- SydPhil mailing list To unsubscribe, change your membership options, find answers to common problems, or visit our online archives, please go to the list information page: https://mailman.sydney.edu.au/mailman/listinfo/sydphil
