Thank you, David. But... I only said what I want. I said nothing about sharing anything :) I offer nothing, share nothing, promise nothing. It could be a dark place of no return... an abyss of tango...
Many have perished from wrong assumptions. Be careful. Nina At 12:08 AM 8/20/2008, David Hodgson wrote: >Nina; >This is beautiful and honest. >I owe you a tanda,,, because. > >David > >PS: The same goes for me dancing with a woman. >It is what they offer and share, also how they offer and share in the dance. > > > >-----Original Message----- >From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of >Nina Pesochinsky >Sent: Tuesday, August 19, 2008 6:48 PM >To: tango-l@mit.edu >Subject: Re: [Tango-L] What does it take? > >And, gentlemen... > >Hear the music the way that only you uniquely can - on your cellular, >or maybe molecular level. And if you need to have your heart (or >anything else) broken for music to enter, then find a way to do >that. It is well worth it. I can't speak for all women, but I can't >(well, I can, but don't enjoy) dance with a man who only has either a >head or a heart. I need both. > >Best, > >Greedy Nina > > >At 05:44 PM 8/19/2008, Joe Grohens wrote: > >Jack Dylan wrote: > > > > > Mario, Don't make the mistake of trying to model your dance on > > > someone else. Ricardo Vidort and the other milongueros come from a > > > bygone age. Yes, let's marvel at their dancing but, when a > > > milonguero dies, his dance dies with him and that's the way it has > > > to be. What you need to do is find your own dance. Take lessons, > > > learn good technique, learn some figures, practice, dance a lot and, > > > eventually, your own dance will come, And it'll be your dance and no > > > one else's. Jack > > > >.... > > > >It is very true what Jack says - one needs to find one's own dance. > > > >In my experience, that process of finding your dance does involve > >seeing things you like in other dancers, and trying to do them > >yourself, and keeping the parts that fit your body's abilities, > >personality, and dance circumstances. > > > >I think imitation can be a valid first step towards acquiring your own > >style. I suppose it's possible to end up being merely an imitator, but > >that's only if imitation is where you stop your development. > > > >It is very hard to really imitate fully the style of another dancer. > >And copied stylistic traits always look like an inferior copy. > > > >Joe > > > > > >_______________________________________________ > >Tango-L mailing list > >Tango-L@mit.edu > >http://mailman.mit.edu/mailman/listinfo/tango-l > >_______________________________________________ >Tango-L mailing list >Tango-L@mit.edu >http://mailman.mit.edu/mailman/listinfo/tango-l > >No virus found in this incoming message. >Checked by AVG. >Version: 7.5.524 / Virus Database: 270.6.5/1620 - Release Date: 8/19/2008 >6:04 AM > > >No virus found in this outgoing message. >Checked by AVG. >Version: 7.5.524 / Virus Database: 270.6.5/1620 - Release Date: 8/19/2008 >6:04 AM > > > >_______________________________________________ >Tango-L mailing list >Tango-L@mit.edu >http://mailman.mit.edu/mailman/listinfo/tango-l _______________________________________________ Tango-L mailing list Tango-L@mit.edu http://mailman.mit.edu/mailman/listinfo/tango-l