I said to "lead with the heart and the core" in my last post with considerable 
deliberation, because that is what I do, or try to do, always.  Yes, you are 
connected through the hands and arms, but they, as well as the chest, are 
merely extensions of your core, and of your heart, which is where you generate 
the care, the compassion, and the joy in the music that you must transmit to 
your partner.

A relevant example of this is the lead of an under arm turn.  I do not lead 
this with my arm.  The arm exerts absolutely no, zero, force.  An underarm turn 
is done with a very light finger-tip to finger-tip connection.  The real lead 
comes from the set-up of the turn (the 'pre-lead') and from my invitation.  It 
comes from the space I create for my partner to move into, the space that I 
block motion into, where I position my body throughout the turn, and where I 
position it to receive the turn.  The lead may even include my smile and the 
path of my gaze.  Does my right hand invite her back to move into it?  Does my 
frame invite a chest-to-chest "reconnection"?  All of that is part of the lead 
of an under arm turn.  And if she rejects, or simply doesn't get, any of this, 
I follow her and we do something else.  No big deal.  But not with the arms.

As to the use of the term "traditional tango", it is not I who have observed 
that there is nothing new about "nuevo tango", but rather many have commented 
on this.  I simply try to dance tango with all of it's richness of connection, 
invention and musical interpretation, which is, I believe, strongly in the 
tradition of tango.  I don't dance "nuevo", I don't dance "milonguero", but I 
try to dance inventivly and respectfully in the tradition of tango.  So yes, I 
think that I dance "traditional", even if it may not always look like it to 
your eye.

And I am indeed a romantic.  Otherwise, how could I dance tango?

David

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