I didn't really start developing an ear for dance music until I studied with 
Susana Miller and Robert Hauk.  What I really appreciate about Susana is her 
directness and clarity.  Very Argentine.

Even though the album, as I said, was not dance music, I still think that it's 
important to know Piazzolla and Gardel to more fully appreciate the Argentine 
culture, the change in instruments, the evolution of tango music.  It gives you 
something with which to further contrast and compare.  Sometimes I like to use 
Piazzolla for some warm-up exercises.

Trini de Pittsburgh



--- On Sat, 8/22/09, Huck Kennedy <tempeh...@gmail.com> wrote:

> From: Huck Kennedy <tempeh...@gmail.com>
> Subject: Re: [Tango-L] Piazzolla is not played at Traditional Milongas
> To: tango-l@mit.edu
> Date: Saturday, August 22, 2009, 1:07 AM
> On Fri, Aug 21, 2009 at 4:39 PM,
> Barbra <buffmilongu...@aol.com>
> wrote:
> 
> >   Now, I find that I have two kinds of
> music, dancing and
> > listening.....has this been the case for other folks?
> >
> >
>      Yes, and a typical tango show
> reflects this distinction.  Sometimes the
> orchestra plays by itself, sometimes a singer comes on
> stage and sings a
> tango, and only maybe 1/3 to 1/2 of the time are there
> dancers on the stage.
> 
> Huck
> _______________________________________________
> Tango-L mailing list
> Tango-L@mit.edu
> http://mailman.mit.edu/mailman/listinfo/tango-l
> 

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