hola sergio

i have a great respect for you and the content in your emails over the
past few years

maybe i am missing something here, but when i dance the tango i
subconsciously am aware of the 8th beat. for me it signals a new
round, a new adventure, a new figure, steps, whatever.

so if on the say the 6th beat i have finished whatever i have been
doing with my partner, then i will basically stand still and allow her
the last few beats for adornos etc, so that when i hear the 8th beat i
am prepared to set off on a new set of steps.

and please, i never count the steps, oscar casas from el beso said
something similar, i just know when the count is ending, that the 8th
beat is near and it is out with the old and in with something new. but
not all the time.  i never try to contrive my dancing to always fit in
with 8.... several times during a tanda i will synchronise with it, at
other times the movements i am doing overrun the 8 beat count, there
is no problem.

but for me, most of the music you mention i hear an an 8 beat count
and melding with those phrases gives me a strong connection to the
music

cheers
tony






On Fri, Jan 15, 2010 at 1:00 PM, Sergio Vandekier
<sergiovandekier...@hotmail.com> wrote:
>
> I am Argentine, I grew up in Villa Urquiza (a neighborhood famous for its 
> tango clubs).
>
> I have known most of the great tango teachers and dancers of my time; I never 
> heard any one once to talk about the 8 or the 4 musical phrase or of any 
> count of any type.
>
> You have to recognize where the beat is. You must step on a beat, any beat. 
> You may dance fast or slowly, you may pause whenever you wish. You may pause 
> after the first step, or the second, or the third or after any one that you 
> wish.
>
> You have to feel the music, some people say that tango  is a restrained 
> emotion that eventually explodes.
>
> To learn to feel the music you must listen to tangos as much as you can. 
> Preferable to orchestras like Carlos Di Sarli, Angel D'agostino, osvaldo 
> Fresedo, Juan D'Arienzo, Miguel Calo, etc.
>
> What you cannot do is to step off the beat.
>
> A tango is your creation, it has a beginning a mid portion, a preparation for 
> the ending and an ending.
>
> You have to make an interpretation of the music, adjusting somewhat to the 
> changes in dynamic that it has.
>
>
> There are figures for Adagios (slow moments) and figures for Variations (fast 
> moments played by the bandoneon).
>
> The back step is a natural one that occurs when you bring the left foot close 
> to the right one. Since you alternate both feet, like when you walk, after 
> that move with your left foot, the natural step next is with your right one.
>
> This step  (depending on many things,... available space behind you, for 
> instance) may be a real back step, it could be very short or long, or it 
> could be in place as a weight change. Or it could be a lateral step to the 
> right, or it could be a forward step, or you could cross it behind your left 
> one for a right half turn, etc.
>
> Do you think that any of the following dancers are concerned with any 4 or 8 
> or 16 beat phrases or any count of any type?
>
> http://www.youtube.com/watch?v=S3zet-EKeo8   Osvaldo zotto
>
>
> http://www.youtube.com/watch?v=alcBFsaRoPQ  Tete Y silvia
>
> http://www.youtube.com/watch?v=TDKwI0I8xms&feature=related osvaldo y coca
>
> http://www.youtube.com/watch?v=OVTHdM2LRLc&feature=related Orlando Paiva Jr.
>
> Summary I have taught many foreigners to dance tango, I get them to dance to 
> the music very fast and I never mentioned any phrase either...but then there 
> are many ways to dance and many ways to teach.
>
> So if you like to talk about phrases of the music please do, there is no need 
> to argue about this.
>
> Best regards, Sergio
>
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