Last night Cuartetango began this year's tour of “Romance de Tango” at 
Washington & Jefferson College in nearby Washington, PA.  Although seemingly 
positioned as a music concert, it really is a full-fledged tango show with 6 
dancers giving some nice and energetic interpretations of the music.  The 
coordination between orchestra and dancers was particularly evident during the 
stronger second half of the show.  The show was warmly received by the 
conservative audience in the full house, but I couldn’t help but wish that the 
show would have played in Pittsburgh, which would have given it the 
enthusiastic response the show deserved.  The normally supportive Latin 
American population and tango dancers were in short supply due to short notice.

Conceived and directed by Leonardo Suarez Paz, “Romance de Tango” features the 
Cuartetango string quintet (Leonardo, Sami Merdinian and Ron Lawrence on 
violin, Daniel Miller on cello) with the addition of bandoneonist Hector Del 
Curto and pianist Octavio Brunetti.  Missing was one member of the quintet. 
Their neotango music (influenced by Piazzola, Salgan, and jazz) was well 
executed.  Hector and Octavio really made a much fuller sound than the quintet 
would have had on its own.  Unfortunately, we could not see Hector’s bandoneon, 
which was completely obscured by the music stand.   I hope they can remedy that 
at future shows.  

Pieces included several new compositions, along with a mix of classic tango 
(Milonga de Mis Amores, Amurado, Recuerodo, Desde el Alma), lots of Piazzola 
(Chiquilin de Bachin, Milonga Loca, Melancolico Buenos Aires, Escualo, 
Violentango), and more.  All in all, a nice mix for a show.  Leonardo also sung 
quite a bit when he wasn’t playing violin or dancing, peaking with his 
rendition of El Dia Que Me Quieras).  Although the music ensemble opened the 
second half with A Fuego Lento sans dancers, I think the musicians could have 
been highlighted better.  They didn’t have a piece that drew the audience in 
emotionally, though the talent was certainly there.  

Dancing were Leonardo and his wife Olga, Diego Blanco & Carolina Jaurena, and 
Natalia Royo with Junior Cervila.  The ensemble presented some interesting 
characters, including a geeky Diego, temptress Carolina, and a rascally Junior. 
 Junior and Natalia displayed some awesome athletics, including a very deep 
bridge, a one-handed lift, and an amazing flip of Natalia.  They drew applause 
and gasps during their performances.  I can’t think of any tango dancer who has 
Junior’s strength.  His performance was not all acrobatics, however, and it 
really lifted the quality of the show.  Carolina stood out among the women as 
the best tanguera of the three with beautiful lines and foot work.  Olga and 
Natalia were also excellent, but their backgrounds are mostly in other dancers. 
 Diego looked smooth and relaxed.  Carolina and Diego were an excellent 
pairing, and I think this show will make them better known.

In the second half, Leonardo and Olga danced through two pieces (El Dia Que Me 
Quieras, Desde el Alma) to create a story of two lovers separated but then 
joyfully reunited.  Their happy Desde el Alma was a refreshing change from the 
melodrama shown by many performers.  Olga also surprised us with her lovely 
voice for Se Dice De Mi.  So clear that Sean & I initially thought she was lip 
synching since this talent was not mentioned in the program notes.  Given their 
talents it was a little surprising that Leonardo and Olga didn’t sing a duet.

The small venue allowed the dancers to effectively communicate feeling to the 
audience, not just through their movements but also their expressions.  
Wardrobe changes were simple, and the clothes of the women reflected their 
dance styles.  The only problem was a purplish dress of Olga’s that appeared to 
have a distracting red tail for one number.  Dance execution was near flawless, 
just barely perceptible bobbles and one late ending.  There were some creative 
variations that I’d love to steal.  Dancers who think that Nuevo is the only 
way to be creative could learn some lessons from this ensemble.

All in all, I’d give it 4 stars out of five.  An excellent show folks should 
try to see.  Leonardo came out to sign CD’s after the show, though it would 
have been nice to have congratulated other cast members, as well.

Tickets are still available for their shows in Cleveland
http://www.cleveland.com/events/index.ssf/event/viva-gala-2010-romance-de-tango/132666/2010-04-09

and Freeport, NY.
http://www.freeportconcertassociation.com/

Tickets may have sold out in Pasadena and Austin.  For more on Cuartetango, go 
to www.cuartetango.com


I have no financial interest in this show.

Trini de Pittsburgh


      

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