It is coded in a nice way.
I have 2 questions and a remark:
- by rising the ful rest the formata becomes synchrone on the rest
- by allowing a slur to start on a rest, in many cases it would be easer to construct 
a slur that is
meant for the other voice (here it is done for the other staff and we are lucky that 
the horizontal
shft is only 6)
- i wonder why there are 3 beams on the lefthand staff. Should the code become this 
one?

==========
2 1 4  4  4  4 0 -4
1 1 20 0

bt
./
w120m
Abrpl
\\font\sevenit=cmti7\
c03l o> of+3 shu+10+6 zc- | d+ s+22 Rb //
rb2 rb1 \settiny\ [u+1 c33 D"\sevenit R.H."+19+2 ds es f
D"\sevenit glissando"+22 g as bs c ]j rb8 rb1 |
r4+6  b43 zes e za- as ze+ /
rp+2 of | rbp //
rb2 rb4 rb1 \settiny\ [ju d3s es f g as bs ] |
c85l c4l o_: cl cl c8l o: /
==========
Andre

----- Original Message ----- 
From: "Olivier Vogel" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>
Sent: Wednesday, August 13, 2003 10:47 PM
Subject: [TeX-music] Difficult exercise of coding


> Thank you Andre for your proposition which constitute a good basis. Slighty
> reworking it, I can get an excellent result:
>
> 8<-----
> 2 1 4  4  4  4 0 -4
> 1 1 20 0
>
> bt
> ./
> w120m
> Abrpl
> \\font\sevenit=cmti7\
> c03l o> of+3 shu+10+2.5 zc- | d+ s+22 Rb //
> rb8 \settiny\ [um3+1 c13 D"\sevenit R.H."+19+2 ds es f D"\sevenit
> glissando"+22 g as bs c ]j rb4 rb8 |
> r4+6  b43 zes e za- as ze+ /
> rp+2 of | rbp //
> rb4 rb4 rb8 \settiny\ [ju d1s es f g as bs ] |
> c85l c4l o_: cl cl c8l o: /
> 8<-----
>
> The main difficulty is due to the grace notes. The idea is to insert the
> \settiny command to get small notes and it works pretty well. That's an
> interesting trick.
>
> Olivier
>
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