My code was very more complicated (tricky mind?)
8<-------- 2 1 4 4 0 0 0 4 1 1 20 0.0
bt
./
Abrpl+s+t
\\font\fonttrill=feta13\def\trill{{\fonttrill A}}\
%5
\\\def\ornement{\tinynotesize\ibbu2e3\islurd2e\zqb2e\roffset{1.7}{\tbu2\zqb2f}}\
c83 g+ e+ c c- a+ d c /
g25 sh+1 \hroff{\zcharnote{10}{\trill}}\let\ql\hl\ f4 r8b \ornement\ r8b /%6
c-8 g+ e+ c c- g+ e+ c Rd /
\psforts1\ts2n{-.8}\ g2 c- s+1 /%13
\\\def\ornement{\tinynotesize\ibbu2e4\islurd2e\zqb2e\roffset{1.5}{\zqb2f}\roffset{3}{\zqb2g}\roffset{4.5}{\tbu2\zqb2h}}\
c83 g+ e+ c c- f d+ c /
g25 sh+1 \hroff{\zcharnote{10}{\trill}}\let\ql\hl\ f4 r8b \ornement\ r8b /%14
\\\pnotes{1.4}\en\
c-8 g+ e+ c c- g+ e+ c Rb /
\psforts1\ts2n{-.8}\ g2 c4- c+ s+1 /
8<--------Don, you can see how I get the fancy "tr": I borrow the fonts of lilypond. I use to do the same for dynamics and the numbers of the meter, using for this last task the package mxfeta of Hiroaki Morimoto, which can be found here:
http://homepage1.nifty.com/kuuku/notation/mxfeta.tex
I think that the lilypond fonts are better in these cases, since fonts made specifically for music replace advantageously the cmr fonts.
Olivier
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