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On Sat, 10 Apr 2021 at 10:01, 'venkat giri' via iyer123 <
[email protected]> wrote:

> *Respected Sir/s*
>
> *படித்ததில் ருசித்தது . Just read and relished to SHARE*
>
> [image: The Indian Express] <http://indianexpress.com/>IPL seeps into pop
> culture
> Sandip G  1 day ago
> <http://a.msn.com/02/en-in/BB1frult?ocid=sf>
>
> <https://twitter.com/share?url=http%3a%2f%2fa.msn.com%2f02%2fen-in%2fBB1frult%3focid%3dst&text=IPL+seeps+into+pop+culture&original_referer=http%3a%2f%2fa.msn.com%2f02%2fen-in%2fBB1frult%3focid%3dst>
>
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> <?subject=IPL%20seeps%20into%20pop%20culture&body=I%20thought%20you%20would%20be%20interested%20in%20this%20story%20I%20found%20on%20MSN%3a%20IPL%20seeps%20into%20pop%20culture%20http%3a%2f%2fa.msn.com%2f02%2fen-in%2fBB1frult%3focid%3dse>
>
>
> *In the frantic build-up to the state polls in Kerala, MS Dhoni made an
> unobtrusive entry into a discussion table of solemn political analysts. A
> television anchor casually predicted an unfancied Congress leader to
> perform a Dhoni-like heist to which a partly bemused analyst quipped:
> “Let’s see what Dhoni could do in this year’s IPL.”*
> [image: a group of baseball players standing on top of a field]*©
> Provided by The Indian Express*
>
> *        There were other IPL allusions too. A new-fangled political party
> in Kerala goes by the name Twenty20. Though its founders insist it was not
> inspired by IPL or the shortest format of the game, it has not prevented
> their adversaries from often reminding them that: “Elections are not like
> IPL, it’s Test cricket.”*
>
> *The state, unlike its neighbors, is largely immune to IPL-frenzy. Apart
> from Sanju Samson, it has little stakes too. Yet, the league has
> subconsciously intruded into the psyche that references and metaphors are
> quite common and frequent, emphasising that IPL, even where it’s not madly
> followed or deeply entrenched, has seeped seamlessly into the popular
> culture.*
> *Some distance away, in Maharashtra, where COVID-19 cases are mounting,
> the government believes that the cases will subside as soon as the IPL
> begins. They are convinced that more people will stay indoors in the
> evening, thus reducing the chances of virus transmission. There needn’t be
> night curfews. *
> *The games in Mumbai, the hotbed of the recent wave, needn’t be shifted
> either. The assumptions are not bereft of logic or evidence either, as
> there indeed was a relative slump in the number of cases during the last
> IPL season. **More people watched IPL games in the UAE than ever before —
> 405 millions viewers (24 per cent increase from 2019), that is half of the
> Indians, according to BARC viewership data.*
>
> *                  Thus, while IPL may well not be the opium of the masses
> yet, along with the pandemic, death and taxes, it too has become an
> inevitability of our times. Not just for the two months that it plays out
> on the television screen, but beyond that. Not just as a tool for
> entertainment or as a commercial force but a defined cultural, social
> construct. Be it the realm of trolls or memes, sphere of movies or songs,
> platform of fiction or shows on YouTube, the league has not just barged
> into the common Indian’s psyche, it has blended into his sensibilities.*
>
> *                       It was always bound to be, says James Astill,
> former Delhi correspondent of the Economist and the author of 'The Great
> Tamasha', a story of cricket becoming Indianised. “Cricket in India was a
> religion even before IPL came. Cricketers and cricket had close ties with
> politicians and businessmen, it had also ties with the Bollywood. IPL
> brought all these ingredients together and a great package was born. It was
> just a matter of time before they combined to form part of the popular
> culture. It’s an irresistible combo,” he explains.*
>
>                 It gave birth to what he calls the “casual audience.” *Those
> who watch cricket for pure fun, like watching a commercial movie. “It’s
> like a family occasion, the television is always when the game is on.
> Initially, **I was suspicious of the franchise model, whether it would
> take time to seep in, but IPL became a part of the culture in a quick time.
> It created a new audience, a larger cross-section of society, and thus
> brought a cultural shift in how the sport is consumed in the country,” he
> says.*
> *               Inevitably, the IPL streamed into the public imagination
> with as much as pace as the format itself. One of the more popular episodes
> of **the long-running TV show Taarak Mehta Ka Ooltah Chashma -*तारक मेहता
> का उल्टा चश्मा (topsy-turvy spectacles of Taarak Mehta or te wrong
> spectacles of Taarak Mehta)
> *it's been on air since  5th Oct '2008 - happens to have an IPL storyline.
> The 'always happy' residents of a gated community in suburban Mumbai get
> divided into teams led by the tele-series' two popular female characters.
> The Daya Daredevils vs Babita Blasters front yard game in Gokuldham Premier
> League has a CSK vs MI feel to it. Punjabi singer Sidhu Moose Wala's song
> 'Ho TV utte rahein IPL dekhdi' (You keep watching IPL on TV) is a sort of
> lament to his beloved but this time around it can connect to the many
> home-bound IPL fans.*
>
> *                 In 2013, just months before the fixing scandal shook the
> IPL, Rajiv Rajendra wrote a crim-cric novel of a similar trope named The
> League — a billion-dollar cricket league in a fictitious island called
> Palmyra and run by a filthy rich Arab sheik called Abdel Rafter al Rafter.
> Non-fiction works too have sprung up. “There is a sudden surge in
> readership, so we stock a lot of books on IPL. Even cricket books,
> unrelated to IPL, would sell,” says P Joseph, a second-hand book-seller in
> Kottayam, a sleepy town in central Kerala.*
>
> *                A year later, Tamil director explored the cricket-league
> theme in the movie Jeeva, where a sidelined middle-class youngster nearly
> quits cricket because of politics before he gets a chance break to play
> franchise cricket (called CPL) and then breaks into the national team. The
> movie’s director, Suseenthiran, had then said that the movie was inspired
> by the alleged politics in cricket boards as well as the IPL’s knack of
> spinning rags to riches story every other year.*
> *               Songs and shows too sprouted, like Kaathal Cricketil
> Vizhinthiruchu .....காதல் கிரிக்கெட்டில்விழுந்திருச்சு   விக்கெட்டு*
> * (loosely translated as wicket has fallen in love’s cricket game) from
> the movie Unnaipol Oruvan( *உன்னைப் போல் ஒருவன்
> *-1969 Tamil movie starring   கமல் ஹாசன், மோகன்லால் ), while overseas
> cricketers like Dwayne Bravo sang and shook his legs in a couple of movies
> (Yendi from Chithiram Pesuthadi 2). Several mash-ups too have inundated the
> web, mostly featuring CSK favourite MS Dhoni; three local singers—
> Velmurugan, Ve Madhan Kumar, Srinath Pichai — penned, composed and sang a
> tribute titled Thalaivar Song.*
> *                   Even in not-so-IPL-frenzied Kerala, certain IPL
> contexts resonate in movies and life alike. Like a reference of *
> *S. Sreesanth is not far away when it comes to mocking crybabies. Or a
> reference to Dhoni, when it comes to the guy who runs away with the bounty
> at the last moment. Sometimes, there are grimy anti-heroes who have heavily
> invested in a murky cricket franchise, or the super-cop getting an SOS from
> a cricketer, who is threatened by match-fixers of a shady league, or the
> cricket-crazy father telling his son that he would one day play in the IPL.
> Or the staple: “Malinga mandai vechu Ishant Sharma maathiri potite irukku,
> dei paar....“മലിംഗ മണ്ഡായി വെച്ചു ഇഷാന്ത് ശർമ മാതിരി പോറ്റിറ്റ് ഇരുക്കു, ഡീ
> പാർ*
> * (With the curls of Malinga, you are bowling like Ishant!)*
>
> *There are the cheeky political trade-offs too. Before the 2016 polls in
> the state, Sreesanth, who was a BJP candidate, had referred to one of the
> party talismans as “Sachin Tendulkar of Kerala BJP”, to which noted writer
> NS Madhavan retorted: “Then people will become Harbhajans.” The reference
> was obvious — Harbhajan Singh slapping Sreesanth, who broke down, during an
> IPL match.*
>
> *********
>
> *             Then came the game-changer in the form of the first-ever
> Indianised web-series, Inside Edge Season 1 in 2017. A blend of back-room
> drama, behind-the-door games, and the big, bad world of fixing and betting,
> the movie was the "perfect storm. “There was so much of interesting
> information that makes for great drama in that world of 'cricket meeting
> entertainment' that it was very easy to weave a nice sharp show,” its
> creator Karan Anshuman said during the launch.*
>
> *            Television ads too have spun cricket into their storylines
> during the IPL — like Lenskart on the comedy of run-out errors during a
> game. So had Swiggy and Bingo during the last IPL. To Astill, these are
> more tangible signs of the IPL invading into public consciousness,
> seamlessly and unforced. “Now IPL inhabits the minds of the audience for
> not just two months, but even beyond it. It has become part of what
> constitutes their consciousness. That is the real success,” he says.*
>
> *                        However, it’s still largely a "metropolitan
> fantasy" as Tamil writer R Abilash Chandran reflects. “The influence of IPL
> is obvious in memes, trolls and maybe a line in a song or a joke in a
> movie. But it’s mostly confined to metros and those that have IPL
> franchises. At least in Tamil Nadu, it has not quite travelled to the
> villages or other towns to really call IPL a part of popular culture,” he
> points out.*
>
> *            But there is scope, he says. “Like if T Natarajan continues
> to perform well, there would be more fanfare for IPL in Tamil Nadu’s rural
> corners,” he says. The rural landscape, then, would be IPL’s final frontier*
> *Regards*
> *V.sridharan*
> *Trichy*
>
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